The New Virtuality: A Video Essay on the Disappearing Differences Between Real and Unreal

This video essay explores the implications of highly realistic images that appear, interact and socialise with human users, often seemingly “live” in real-time. Through readings of film and media theory, archival research, textual readings (across paintings, digital art, cinema, performance, VR, app...

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Main Authors: Jenna Ng, Oliver
Format: Article
Language:English
Published: UWE 2023-07-01
Series:Screenworks
Subjects:
Online Access:https://screenworks.org.uk/archive/volume-13-1/the-new-virtuality
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author Jenna Ng
Oliver
author_facet Jenna Ng
Oliver
author_sort Jenna Ng
collection DOAJ
description This video essay explores the implications of highly realistic images that appear, interact and socialise with human users, often seemingly “live” in real-time. Through readings of film and media theory, archival research, textual readings (across paintings, digital art, cinema, performance, VR, apps and architecture) and media archaeology, the essay argues for virtuality as a multi-paradoxical and discombobulating vacillation: believed yet disbelieved; manipulated yet recognisable; realistic yet fake. This renewed understanding of the virtual also signals the pliability of post-truth and its concomitant challenges to frameworks of disbelief, reliability and certainty. It constitutes the new battleground for understanding the politics of current and future realities and histories.
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spelling doaj.art-b0f07211c2b74f2482879ab87e399d642023-07-11T18:29:54ZengUWEScreenworks2514-31232023-07-01131https://doi.org/10.37186/swrks/12.1/11The New Virtuality: A Video Essay on the Disappearing Differences Between Real and UnrealJenna Ng0https://orcid.org/0000-0002-0018-1812Oliver1University of YorkTomkinsThis video essay explores the implications of highly realistic images that appear, interact and socialise with human users, often seemingly “live” in real-time. Through readings of film and media theory, archival research, textual readings (across paintings, digital art, cinema, performance, VR, apps and architecture) and media archaeology, the essay argues for virtuality as a multi-paradoxical and discombobulating vacillation: believed yet disbelieved; manipulated yet recognisable; realistic yet fake. This renewed understanding of the virtual also signals the pliability of post-truth and its concomitant challenges to frameworks of disbelief, reliability and certainty. It constitutes the new battleground for understanding the politics of current and future realities and histories.https://screenworks.org.uk/archive/volume-13-1/the-new-virtualityvrvirtual realitydeep fakespost-truth
spellingShingle Jenna Ng
Oliver
The New Virtuality: A Video Essay on the Disappearing Differences Between Real and Unreal
Screenworks
vr
virtual reality
deep fakes
post-truth
title The New Virtuality: A Video Essay on the Disappearing Differences Between Real and Unreal
title_full The New Virtuality: A Video Essay on the Disappearing Differences Between Real and Unreal
title_fullStr The New Virtuality: A Video Essay on the Disappearing Differences Between Real and Unreal
title_full_unstemmed The New Virtuality: A Video Essay on the Disappearing Differences Between Real and Unreal
title_short The New Virtuality: A Video Essay on the Disappearing Differences Between Real and Unreal
title_sort new virtuality a video essay on the disappearing differences between real and unreal
topic vr
virtual reality
deep fakes
post-truth
url https://screenworks.org.uk/archive/volume-13-1/the-new-virtuality
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