À quoi pensent les archives de la jouabilité?

Videogame has the particularity to involve not exclusively creators, but also and especially players, sometimes grouped in rigorously organized communities over the Internet. The remarkable devotion of these communities for their objects situate them as privileged witnesses and core historiographica...

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Main Authors: Hugo Montembeault, Simon Dor
Format: Article
Language:deu
Published: Conserveries Mémorielles 2018-10-01
Series:Conserveries Mémorielles
Subjects:
Online Access:http://journals.openedition.org/cm/3171
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author Hugo Montembeault
Simon Dor
author_facet Hugo Montembeault
Simon Dor
author_sort Hugo Montembeault
collection DOAJ
description Videogame has the particularity to involve not exclusively creators, but also and especially players, sometimes grouped in rigorously organized communities over the Internet. The remarkable devotion of these communities for their objects situate them as privileged witnesses and core historiographical actors to document, preserve and write the history of videogames. In that regard, player communities and their collective archives play a crucial role as curator and mediator of the videoludic heritage. However, this role still needs to be better understood. What conceptualization of history is put forward by videogame fans and their archives? How players’ archival practices allow us to reevaluate the historiography of video games? In order to explore and undertake the challenges that represent a videogame history developed from the perspective of players, this article consolidates a micro-historical method called a « history of gameplay ».
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spelling doaj.art-b11cc597114a42759286f0b454704dee2022-12-22T02:42:18ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562018-10-0123À quoi pensent les archives de la jouabilité?Hugo MontembeaultSimon DorVideogame has the particularity to involve not exclusively creators, but also and especially players, sometimes grouped in rigorously organized communities over the Internet. The remarkable devotion of these communities for their objects situate them as privileged witnesses and core historiographical actors to document, preserve and write the history of videogames. In that regard, player communities and their collective archives play a crucial role as curator and mediator of the videoludic heritage. However, this role still needs to be better understood. What conceptualization of history is put forward by videogame fans and their archives? How players’ archival practices allow us to reevaluate the historiography of video games? In order to explore and undertake the challenges that represent a videogame history developed from the perspective of players, this article consolidates a micro-historical method called a « history of gameplay ».http://journals.openedition.org/cm/3171gameplayarchivehistoriographyplayer communitiesYouTube.
spellingShingle Hugo Montembeault
Simon Dor
À quoi pensent les archives de la jouabilité?
Conserveries Mémorielles
gameplay
archive
historiography
player communities
YouTube.
title À quoi pensent les archives de la jouabilité?
title_full À quoi pensent les archives de la jouabilité?
title_fullStr À quoi pensent les archives de la jouabilité?
title_full_unstemmed À quoi pensent les archives de la jouabilité?
title_short À quoi pensent les archives de la jouabilité?
title_sort a quoi pensent les archives de la jouabilite
topic gameplay
archive
historiography
player communities
YouTube.
url http://journals.openedition.org/cm/3171
work_keys_str_mv AT hugomontembeault aquoipensentlesarchivesdelajouabilite
AT simondor aquoipensentlesarchivesdelajouabilite