THEATRE AND PERSONA: CELEBRITY AND TRANSGRESSION

Theatre, with its focus on live performance and the particular interest it places on the performer as creative agent, undoubtedly brings a distinctive set of enriching perspectives to the field of persona studies, which has often acknowledged its debt to performance studies and theories of performat...

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Main Authors: Mary Luckhurst, Sandra Mayer
Format: Article
Language:English
Published: Deakin University 2020-02-01
Series:Persona Studies
Subjects:
Online Access:https://ojs.deakin.edu.au/index.php/ps/article/view/911
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author Mary Luckhurst
Sandra Mayer
author_facet Mary Luckhurst
Sandra Mayer
author_sort Mary Luckhurst
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description Theatre, with its focus on live performance and the particular interest it places on the performer as creative agent, undoubtedly brings a distinctive set of enriching perspectives to the field of persona studies, which has often acknowledged its debt to performance studies and theories of performativity (see, for instance, Marshall & Barbour 2015). Despite some notable forays into the area of persona and (live) artistic performance made by scholars in this journal (see, for instance, Piper 2015; Colby 2015; D’Cruz 2015), work that specifically addresses the multi-faceted uses and disuses of persona in theatre and its often radically transgressive potential is still conspicuously under-represented in a vibrant and swiftly expanding field. As guest editors of this special issue for Persona Studies, we are delighted to make a substantial intervention in bringing some of the theories and practices of theatre studies to persona studies. Likewise, the lens of persona studies concentrates analysts of theatre on interrogations that are fundamental to the discipline and to advancements in the notoriously difficult articulation of acting and the embodied performance of self and other.
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spelling doaj.art-b12053d9789b4d26b05b6faafb1eca8e2022-12-21T22:46:20ZengDeakin UniversityPersona Studies2205-52582020-02-01521810.21153/psj2019vol5no2art911764THEATRE AND PERSONA: CELEBRITY AND TRANSGRESSIONMary LuckhurstSandra MayerTheatre, with its focus on live performance and the particular interest it places on the performer as creative agent, undoubtedly brings a distinctive set of enriching perspectives to the field of persona studies, which has often acknowledged its debt to performance studies and theories of performativity (see, for instance, Marshall & Barbour 2015). Despite some notable forays into the area of persona and (live) artistic performance made by scholars in this journal (see, for instance, Piper 2015; Colby 2015; D’Cruz 2015), work that specifically addresses the multi-faceted uses and disuses of persona in theatre and its often radically transgressive potential is still conspicuously under-represented in a vibrant and swiftly expanding field. As guest editors of this special issue for Persona Studies, we are delighted to make a substantial intervention in bringing some of the theories and practices of theatre studies to persona studies. Likewise, the lens of persona studies concentrates analysts of theatre on interrogations that are fundamental to the discipline and to advancements in the notoriously difficult articulation of acting and the embodied performance of self and other.https://ojs.deakin.edu.au/index.php/ps/article/view/911theatreperformanceacting
spellingShingle Mary Luckhurst
Sandra Mayer
THEATRE AND PERSONA: CELEBRITY AND TRANSGRESSION
Persona Studies
theatre
performance
acting
title THEATRE AND PERSONA: CELEBRITY AND TRANSGRESSION
title_full THEATRE AND PERSONA: CELEBRITY AND TRANSGRESSION
title_fullStr THEATRE AND PERSONA: CELEBRITY AND TRANSGRESSION
title_full_unstemmed THEATRE AND PERSONA: CELEBRITY AND TRANSGRESSION
title_short THEATRE AND PERSONA: CELEBRITY AND TRANSGRESSION
title_sort theatre and persona celebrity and transgression
topic theatre
performance
acting
url https://ojs.deakin.edu.au/index.php/ps/article/view/911
work_keys_str_mv AT maryluckhurst theatreandpersonacelebrityandtransgression
AT sandramayer theatreandpersonacelebrityandtransgression