Reflections on the Popular in the Context of the Grupo Mamulengo de Cheiroso de Teatro de Bonecos

This article presents and discusses the notion of popular culture and theater based on the experience of the Grupo Mamulengo de Cheiroso de Teatro de Bonecos (Aracaju/SE), a popular nucleus with a specific relationship with the academic space. The study is a partial result of a master’s research an...

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Main Author: Pedro Rodrigues
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2023-10-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/134729
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author Pedro Rodrigues
author_facet Pedro Rodrigues
author_sort Pedro Rodrigues
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description This article presents and discusses the notion of popular culture and theater based on the experience of the Grupo Mamulengo de Cheiroso de Teatro de Bonecos (Aracaju/SE), a popular nucleus with a specific relationship with the academic space. The study is a partial result of a master’s research and makes extensive use of literature review, primary sources, and interviews. Through these discussions, a critical view of popular theater is obtained, which can manifest itself in different places, modes, and contexts, deviating from a stereotyped and largely homogeneous view of these phenomena, resulting from literary production that approaches history from the perspective of lettered culture.
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spelling doaj.art-b13426498c1543f2b1b4f919d58cfaa92023-10-26T18:12:59ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602023-10-01134Reflections on the Popular in the Context of the Grupo Mamulengo de Cheiroso de Teatro de BonecosPedro Rodrigues This article presents and discusses the notion of popular culture and theater based on the experience of the Grupo Mamulengo de Cheiroso de Teatro de Bonecos (Aracaju/SE), a popular nucleus with a specific relationship with the academic space. The study is a partial result of a master’s research and makes extensive use of literature review, primary sources, and interviews. Through these discussions, a critical view of popular theater is obtained, which can manifest itself in different places, modes, and contexts, deviating from a stereotyped and largely homogeneous view of these phenomena, resulting from literary production that approaches history from the perspective of lettered culture. https://seer.ufrgs.br/index.php/presenca/article/view/134729Popular CulturePopular TheaterMamulengoTheater from NordesteGrupo Mamulengo de Cheiroso
spellingShingle Pedro Rodrigues
Reflections on the Popular in the Context of the Grupo Mamulengo de Cheiroso de Teatro de Bonecos
Revista Brasileira de Estudos da Presença
Popular Culture
Popular Theater
Mamulengo
Theater from Nordeste
Grupo Mamulengo de Cheiroso
title Reflections on the Popular in the Context of the Grupo Mamulengo de Cheiroso de Teatro de Bonecos
title_full Reflections on the Popular in the Context of the Grupo Mamulengo de Cheiroso de Teatro de Bonecos
title_fullStr Reflections on the Popular in the Context of the Grupo Mamulengo de Cheiroso de Teatro de Bonecos
title_full_unstemmed Reflections on the Popular in the Context of the Grupo Mamulengo de Cheiroso de Teatro de Bonecos
title_short Reflections on the Popular in the Context of the Grupo Mamulengo de Cheiroso de Teatro de Bonecos
title_sort reflections on the popular in the context of the grupo mamulengo de cheiroso de teatro de bonecos
topic Popular Culture
Popular Theater
Mamulengo
Theater from Nordeste
Grupo Mamulengo de Cheiroso
url https://seer.ufrgs.br/index.php/presenca/article/view/134729
work_keys_str_mv AT pedrorodrigues reflectionsonthepopularinthecontextofthegrupomamulengodecheirosodeteatrodebonecos