EKSPLOITAS1TUBUH WANITA DALAM FILM HOROR DARAH JANDA KOLONG WEWE NAFSU POCONG

This research entitled Darah Janda Kolong Wewe Nafsu Pocong telling the background about the curiosity about why woman became a main actor or object in the movies in the every scene. Hence, this research used qualitative concerning how woman image was visualized by semiotics (Roland Barthes) showed...

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Bibliographic Details
Main Authors: Ucu Andritama Sunarto, Basnendar Herry Prilosadoso
Format: Article
Language:English
Published: Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Surakarta 2016-11-01
Series:Capture
Online Access:https://jurnal.isi-ska.ac.id/index.php/capture/article/view/1785
Description
Summary:This research entitled Darah Janda Kolong Wewe Nafsu Pocong telling the background about the curiosity about why woman became a main actor or object in the movies in the every scene. Hence, this research used qualitative concerning how woman image was visualized by semiotics (Roland Barthes) showed at Darah Janda KolongWewe Nafsu Pocong. In addition, the result showed that horror movies were commonly visualized with exploitation againts woman's body as an vulgar object. Keywords: Woman's body,horror movies,and exploitation
ISSN:2086-308X
2338-428X