Words as images: study of the adaptation of Vidas secas to cinema

In 1938, Graciliano Ramos published the novel <em>Vidas Secas</em>. A “little book without landscapes, without dialogue and without love” that has become one of the classics of literature. In 1968, Nelson Pereira dos Santos adapted this “dry little book” and produced one of the classics...

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Main Authors: Maria Ignês CARLOS MAGNO, Maria Aparecida BACCEGA
Format: Article
Language:English
Published: Universidad de Salamanca 2018-12-01
Series:Revista de Estudios Brasileños
Subjects:
Online Access:https://revistas.usal.es/index.php/2386-4540/article/view/19317
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author Maria Ignês CARLOS MAGNO
Maria Aparecida BACCEGA
author_facet Maria Ignês CARLOS MAGNO
Maria Aparecida BACCEGA
author_sort Maria Ignês CARLOS MAGNO
collection DOAJ
description In 1938, Graciliano Ramos published the novel <em>Vidas Secas</em>. A “little book without landscapes, without dialogue and without love” that has become one of the classics of literature. In 1968, Nelson Pereira dos Santos adapted this “dry little book” and produced one of the classics of Brazilian cinema. The proposal of this article is to show how Graciliano Ramos looked and translated the landscapes into literary images and how Nelson Pereira read the words of Graciliano Ramos and transformed them into cinematographic images. Specifically, the article will focus on the understanding of how the arrangement of words and images in the construction of the narrative keeps a work current and provokes readers and viewers, keeping the work always read, seen and studied.
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spelling doaj.art-b141fac161b547e396844f2f9f6b84a12022-12-21T22:47:01ZengUniversidad de SalamancaRevista de Estudios Brasileños2386-45402018-12-0147132110.14201/reb201747132116389Words as images: study of the adaptation of Vidas secas to cinemaMaria Ignês CARLOS MAGNO0Maria Aparecida BACCEGA1Universidade Anhembi MorumbiEscola Superior de Propaganda e MarketingIn 1938, Graciliano Ramos published the novel <em>Vidas Secas</em>. A “little book without landscapes, without dialogue and without love” that has become one of the classics of literature. In 1968, Nelson Pereira dos Santos adapted this “dry little book” and produced one of the classics of Brazilian cinema. The proposal of this article is to show how Graciliano Ramos looked and translated the landscapes into literary images and how Nelson Pereira read the words of Graciliano Ramos and transformed them into cinematographic images. Specifically, the article will focus on the understanding of how the arrangement of words and images in the construction of the narrative keeps a work current and provokes readers and viewers, keeping the work always read, seen and studied.https://revistas.usal.es/index.php/2386-4540/article/view/19317vidas secasliteratura brasileñacine brasileñoadaptación
spellingShingle Maria Ignês CARLOS MAGNO
Maria Aparecida BACCEGA
Words as images: study of the adaptation of Vidas secas to cinema
Revista de Estudios Brasileños
vidas secas
literatura brasileña
cine brasileño
adaptación
title Words as images: study of the adaptation of Vidas secas to cinema
title_full Words as images: study of the adaptation of Vidas secas to cinema
title_fullStr Words as images: study of the adaptation of Vidas secas to cinema
title_full_unstemmed Words as images: study of the adaptation of Vidas secas to cinema
title_short Words as images: study of the adaptation of Vidas secas to cinema
title_sort words as images study of the adaptation of vidas secas to cinema
topic vidas secas
literatura brasileña
cine brasileño
adaptación
url https://revistas.usal.es/index.php/2386-4540/article/view/19317
work_keys_str_mv AT mariaignescarlosmagno wordsasimagesstudyoftheadaptationofvidassecastocinema
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