El paradigma moderno del diseño industrial y la creación artística

The relationships between design and art are a problem which is part of the core of notions on which was constituted and was given way to what today is the profession of industrial design. The reviewing these relationships is the overall objective of this writing. However, in the course of the inves...

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Main Author: Carlos Federico González
Format: Article
Language:English
Published: Fundación Universidad Autónoma de Colombia 2014-07-01
Series:Grafía
Subjects:
Online Access:http://revistas.fuac.edu.co/index.php/grafia/article/download/523/501
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author Carlos Federico González
author_facet Carlos Federico González
author_sort Carlos Federico González
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description The relationships between design and art are a problem which is part of the core of notions on which was constituted and was given way to what today is the profession of industrial design. The reviewing these relationships is the overall objective of this writing. However, in the course of the investigation developed, were found that to make this review like is the proposal was necessary to examine some concepts and establish minimum notions with which to work. Not to define what is art and what is design, but consider what theoretical notions have shaped in a passing historical relations between these two practices of creation. As a result of this process, it is proposed the use of a conceptual category that has been called the modern paradigm of industrial design.
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spelling doaj.art-b17b2179aa1547e780ddf0e175381c552022-12-22T00:31:34ZengFundación Universidad Autónoma de ColombiaGrafía1692-62501692-62502014-07-01112109133http://dx.doi.org/10.26564/16926250.523El paradigma moderno del diseño industrial y la creación artísticaCarlos Federico González0Universidad Autónoma de ColombiaThe relationships between design and art are a problem which is part of the core of notions on which was constituted and was given way to what today is the profession of industrial design. The reviewing these relationships is the overall objective of this writing. However, in the course of the investigation developed, were found that to make this review like is the proposal was necessary to examine some concepts and establish minimum notions with which to work. Not to define what is art and what is design, but consider what theoretical notions have shaped in a passing historical relations between these two practices of creation. As a result of this process, it is proposed the use of a conceptual category that has been called the modern paradigm of industrial design.http://revistas.fuac.edu.co/index.php/grafia/article/download/523/501industrial designartcraftsproduction in seriesschool of ulmparadigm
spellingShingle Carlos Federico González
El paradigma moderno del diseño industrial y la creación artística
Grafía
industrial design
art
crafts
production in series
school of ulm
paradigm
title El paradigma moderno del diseño industrial y la creación artística
title_full El paradigma moderno del diseño industrial y la creación artística
title_fullStr El paradigma moderno del diseño industrial y la creación artística
title_full_unstemmed El paradigma moderno del diseño industrial y la creación artística
title_short El paradigma moderno del diseño industrial y la creación artística
title_sort el paradigma moderno del diseno industrial y la creacion artistica
topic industrial design
art
crafts
production in series
school of ulm
paradigm
url http://revistas.fuac.edu.co/index.php/grafia/article/download/523/501
work_keys_str_mv AT carlosfedericogonzalez elparadigmamodernodeldisenoindustrialylacreacionartistica