Editors’ Introduction
This issue of Lateral examines the means by which performances happen at a variety of scales of cultural production and circulation, from the street to the living room to the border; from a cellphone to the theatrical stage to the art gallery; from public discourse in policy debates to the global ci...
Main Authors: | , |
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Format: | Article |
Language: | English |
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Cultural Studies Association
2015-05-01
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Series: | Lateral |
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Online Access: | https://doi.org/10.25158/L4.1.1 |
_version_ | 1818027083618582528 |
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author | Stefanie A Jones Eero Laine |
author_facet | Stefanie A Jones Eero Laine |
author_sort | Stefanie A Jones |
collection | DOAJ |
description | This issue of Lateral examines the means by which performances happen at a variety of scales of cultural production and circulation, from the street to the living room to the border; from a cellphone to the theatrical stage to the art gallery; from public discourse in policy debates to the global circulation of performances of blackness, alterity, and power. Trends across these various means are thus particularly illuminating for the study of culture; performance can give us insight into aspects of culture more broadly and with great ability to account for differences and dynamics of power. |
first_indexed | 2024-12-10T04:42:16Z |
format | Article |
id | doaj.art-b1dc7b3900174c25a4bcd3e537320ea7 |
institution | Directory Open Access Journal |
issn | 2469-4053 |
language | English |
last_indexed | 2024-12-10T04:42:16Z |
publishDate | 2015-05-01 |
publisher | Cultural Studies Association |
record_format | Article |
series | Lateral |
spelling | doaj.art-b1dc7b3900174c25a4bcd3e537320ea72022-12-22T02:01:51ZengCultural Studies AssociationLateral2469-40532015-05-01410.25158/L4.1.1http://csalateral.org/issue/4/introduction/Editors’ IntroductionStefanie A JonesEero LaineThis issue of Lateral examines the means by which performances happen at a variety of scales of cultural production and circulation, from the street to the living room to the border; from a cellphone to the theatrical stage to the art gallery; from public discourse in policy debates to the global circulation of performances of blackness, alterity, and power. Trends across these various means are thus particularly illuminating for the study of culture; performance can give us insight into aspects of culture more broadly and with great ability to account for differences and dynamics of power.https://doi.org/10.25158/L4.1.1circulationcultureperformanceproduction |
spellingShingle | Stefanie A Jones Eero Laine Editors’ Introduction Lateral circulation culture performance production |
title | Editors’ Introduction |
title_full | Editors’ Introduction |
title_fullStr | Editors’ Introduction |
title_full_unstemmed | Editors’ Introduction |
title_short | Editors’ Introduction |
title_sort | editors introduction |
topic | circulation culture performance production |
url | https://doi.org/10.25158/L4.1.1 |
work_keys_str_mv | AT stefanieajones editorsintroduction AT eerolaine editorsintroduction |