The Throbbing Eye: Monica Vitti's Writings on Art

This article analyzes Monica Vitti’s writing production related to art. By drawing from different sources from the mid-1990s – an art column held on the magazine «Cahiers d’Art» (L’occhio innocente [The innocent eye] and her autobiographical texts (Il letto è una rosa [The bed is a rose] and Sette S...

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Main Author: Giulia Simi
Format: Article
Language:English
Published: University of Bologna 2021-12-01
Series:Cinergie
Subjects:
Online Access:https://cinergie.unibo.it/article/view/13176
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author Giulia Simi
author_facet Giulia Simi
author_sort Giulia Simi
collection DOAJ
description This article analyzes Monica Vitti’s writing production related to art. By drawing from different sources from the mid-1990s – an art column held on the magazine «Cahiers d’Art» (L’occhio innocente [The innocent eye] and her autobiographical texts (Il letto è una rosa [The bed is a rose] and Sette Sottane [Seven skirts]) – and intertwining them with archival documents and texts from Art History and Film Studies, this investigation aims at demonstrating how the artistic dimension is rooted for Vitti in the entanglement between vision, emotions and the forms of thought. The actress explores in her writing the possibilities of a haptic gaze able to activate a metamorphosis of reality. Her words open a dialogue with the cinematograhic medium and particularly with the experience shared with Michelangelo Antonioni, but they also resonate with a genealogy of women’s writings focused on sensory phenomenology as a manifestation of an emotional intelligence.
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spelling doaj.art-b20aa64c32e4453685f9113102ebe54d2022-12-21T18:46:11ZengUniversity of BolognaCinergie2280-94812021-12-012015316610.6092/issn.2280-9481/1317611488The Throbbing Eye: Monica Vitti's Writings on ArtGiulia Simi0University of SassariThis article analyzes Monica Vitti’s writing production related to art. By drawing from different sources from the mid-1990s – an art column held on the magazine «Cahiers d’Art» (L’occhio innocente [The innocent eye] and her autobiographical texts (Il letto è una rosa [The bed is a rose] and Sette Sottane [Seven skirts]) – and intertwining them with archival documents and texts from Art History and Film Studies, this investigation aims at demonstrating how the artistic dimension is rooted for Vitti in the entanglement between vision, emotions and the forms of thought. The actress explores in her writing the possibilities of a haptic gaze able to activate a metamorphosis of reality. Her words open a dialogue with the cinematograhic medium and particularly with the experience shared with Michelangelo Antonioni, but they also resonate with a genealogy of women’s writings focused on sensory phenomenology as a manifestation of an emotional intelligence.https://cinergie.unibo.it/article/view/13176monica vittiitalian cinemawomen’s studiescontemporary artactresses writing
spellingShingle Giulia Simi
The Throbbing Eye: Monica Vitti's Writings on Art
Cinergie
monica vitti
italian cinema
women’s studies
contemporary art
actresses writing
title The Throbbing Eye: Monica Vitti's Writings on Art
title_full The Throbbing Eye: Monica Vitti's Writings on Art
title_fullStr The Throbbing Eye: Monica Vitti's Writings on Art
title_full_unstemmed The Throbbing Eye: Monica Vitti's Writings on Art
title_short The Throbbing Eye: Monica Vitti's Writings on Art
title_sort throbbing eye monica vitti s writings on art
topic monica vitti
italian cinema
women’s studies
contemporary art
actresses writing
url https://cinergie.unibo.it/article/view/13176
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