The steady-state response of the cerebral cortex to the beat of music reflects both the comprehension of music and attention

The brain's analyses of speech and music share a range of neural resources and mechanisms. Music displays a temporal structure of complexity similar to that of speech, unfolds over comparable timescales, and elicits cognitive demands in tasks involving comprehension and attention. During speech...

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Main Authors: Benjamin eMeltzer, Chagit S Reichenbach, Chananel eBraiman, Nicholas D Schiff, A J Hudspeth, Tobias eReichenbach
Format: Article
Language:English
Published: Frontiers Media S.A. 2015-08-01
Series:Frontiers in Human Neuroscience
Subjects:
Online Access:http://journal.frontiersin.org/Journal/10.3389/fnhum.2015.00436/full
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author Benjamin eMeltzer
Chagit S Reichenbach
Chagit S Reichenbach
Chananel eBraiman
Nicholas D Schiff
A J Hudspeth
Tobias eReichenbach
author_facet Benjamin eMeltzer
Chagit S Reichenbach
Chagit S Reichenbach
Chananel eBraiman
Nicholas D Schiff
A J Hudspeth
Tobias eReichenbach
author_sort Benjamin eMeltzer
collection DOAJ
description The brain's analyses of speech and music share a range of neural resources and mechanisms. Music displays a temporal structure of complexity similar to that of speech, unfolds over comparable timescales, and elicits cognitive demands in tasks involving comprehension and attention. During speech processing, synchronized neural activity of the cerebral cortex in the delta and theta frequency bands tracks the envelope of a speech signal, and this neural activity is modulated by high-level cortical functions such as speech comprehension and attention. It remains unclear, however, whether the cortex also responds to the natural rhythmic structure of music and how the response, if present, is influenced by higher cognitive processes. Here we employ electroencephalography (EEG) to show that the cortex responds to the beat of music and that this steady-state response reflects musical comprehension and attention. We show that the cortical response to the beat is weaker when subjects listen to a familiar tune than when they listen to an unfamiliar, nonsensical musical piece. Furthermore, we show that in a task of intermodal attention there is a larger neural response at the beat frequency when subjects attend to a musical stimulus than when they ignore the auditory signal and instead focus on a visual one. Our findings may be applied in clinical assessments of auditory processing and music cognition as well as in the construction of auditory brain-machine interfaces.
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spelling doaj.art-b29a7edc131c4fa19137be3ef4411e922022-12-22T02:21:53ZengFrontiers Media S.A.Frontiers in Human Neuroscience1662-51612015-08-01910.3389/fnhum.2015.00436142954The steady-state response of the cerebral cortex to the beat of music reflects both the comprehension of music and attentionBenjamin eMeltzer0Chagit S Reichenbach1Chagit S Reichenbach2Chananel eBraiman3Nicholas D Schiff4A J Hudspeth5Tobias eReichenbach6Imperial College LondonWeill Cornell Medical CollegeImperial College LondonWeill Cornell Medical CollegeWeill Cornell Medical CollegeWeill Cornell Medical CollegeImperial College LondonThe brain's analyses of speech and music share a range of neural resources and mechanisms. Music displays a temporal structure of complexity similar to that of speech, unfolds over comparable timescales, and elicits cognitive demands in tasks involving comprehension and attention. During speech processing, synchronized neural activity of the cerebral cortex in the delta and theta frequency bands tracks the envelope of a speech signal, and this neural activity is modulated by high-level cortical functions such as speech comprehension and attention. It remains unclear, however, whether the cortex also responds to the natural rhythmic structure of music and how the response, if present, is influenced by higher cognitive processes. Here we employ electroencephalography (EEG) to show that the cortex responds to the beat of music and that this steady-state response reflects musical comprehension and attention. We show that the cortical response to the beat is weaker when subjects listen to a familiar tune than when they listen to an unfamiliar, nonsensical musical piece. Furthermore, we show that in a task of intermodal attention there is a larger neural response at the beat frequency when subjects attend to a musical stimulus than when they ignore the auditory signal and instead focus on a visual one. Our findings may be applied in clinical assessments of auditory processing and music cognition as well as in the construction of auditory brain-machine interfaces.http://journal.frontiersin.org/Journal/10.3389/fnhum.2015.00436/fullAuditory CortexAuditory AttentionAuditory cognitionAuditory Neurosciencecortical oscillationsmusic processing
spellingShingle Benjamin eMeltzer
Chagit S Reichenbach
Chagit S Reichenbach
Chananel eBraiman
Nicholas D Schiff
A J Hudspeth
Tobias eReichenbach
The steady-state response of the cerebral cortex to the beat of music reflects both the comprehension of music and attention
Frontiers in Human Neuroscience
Auditory Cortex
Auditory Attention
Auditory cognition
Auditory Neuroscience
cortical oscillations
music processing
title The steady-state response of the cerebral cortex to the beat of music reflects both the comprehension of music and attention
title_full The steady-state response of the cerebral cortex to the beat of music reflects both the comprehension of music and attention
title_fullStr The steady-state response of the cerebral cortex to the beat of music reflects both the comprehension of music and attention
title_full_unstemmed The steady-state response of the cerebral cortex to the beat of music reflects both the comprehension of music and attention
title_short The steady-state response of the cerebral cortex to the beat of music reflects both the comprehension of music and attention
title_sort steady state response of the cerebral cortex to the beat of music reflects both the comprehension of music and attention
topic Auditory Cortex
Auditory Attention
Auditory cognition
Auditory Neuroscience
cortical oscillations
music processing
url http://journal.frontiersin.org/Journal/10.3389/fnhum.2015.00436/full
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