Paul Delvaux: The Study of Nine Paintings by Non-Invasive Methods
Paul Delvaux (1897–1994) was a Belgian Surrealist painter known for his dreamlike and enigmatic compositions. His works often featured nude or semi-nude women and deserted urban landscapes, evoking a sense of mystery and intrigue. Delvaux’s meticulous attention to detail and masterful use of light a...
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| Format: | Article |
| Language: | English |
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MDPI AG
2023-11-01
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| Series: | Heritage |
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| Online Access: | https://www.mdpi.com/2571-9408/6/11/376 |
| _version_ | 1797459144248131584 |
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| author | Edène Derzelle David Strivay Antoine Defeyt Sarah-Jane Klein Francisca Vandepitte Catherine Defeyt |
| author_facet | Edène Derzelle David Strivay Antoine Defeyt Sarah-Jane Klein Francisca Vandepitte Catherine Defeyt |
| author_sort | Edène Derzelle |
| collection | DOAJ |
| description | Paul Delvaux (1897–1994) was a Belgian Surrealist painter known for his dreamlike and enigmatic compositions. His works often featured nude or semi-nude women and deserted urban landscapes, evoking a sense of mystery and intrigue. Delvaux’s meticulous attention to detail and masterful use of light and shadow added depth and realism to his surrealistic style, making him one of the leading figures of the Belgian Surrealist movement. Although writings about Paul Delvaux’s work are not lacking, the literature mainly deals with the stylistic and iconographic aspects of his work. Taking an interest in painting materials and the painter’s technique allows us to understand his personality and to apprehend his work in a different way. In order to collect such information, the early painted production of Delvaux was studied in situ with imaging methods (high-resolution photography, infrared reflectography and X-ray radiography) and non-invasive analytical techniques (MA-XRF and Raman spectroscopy). The results obtained for nine oil paintings produced from 1928 to 1958 are discussed in terms of the support, the preparatory layer, the preparatory drawing, the changes in composition and reuse of paintings, the pictorial layer and the dripping phenomenon. |
| first_indexed | 2024-03-09T16:47:13Z |
| format | Article |
| id | doaj.art-b2ca63c5c43e4760aaa38ee59cb593da |
| institution | Directory Open Access Journal |
| issn | 2571-9408 |
| language | English |
| last_indexed | 2024-03-09T16:47:13Z |
| publishDate | 2023-11-01 |
| publisher | MDPI AG |
| record_format | Article |
| series | Heritage |
| spelling | doaj.art-b2ca63c5c43e4760aaa38ee59cb593da2023-11-24T14:45:03ZengMDPI AGHeritage2571-94082023-11-016117181720110.3390/heritage6110376Paul Delvaux: The Study of Nine Paintings by Non-Invasive MethodsEdène Derzelle0David Strivay1Antoine Defeyt2Sarah-Jane Klein3Francisca Vandepitte4Catherine Defeyt5CEA—Centre Européen d’Archéométrie, University of Liège, 4000 Liège, BelgiumCEA—Centre Européen d’Archéométrie, University of Liège, 4000 Liège, BelgiumCEA—Centre Européen d’Archéométrie, University of Liège, 4000 Liège, BelgiumCEA—Centre Européen d’Archéométrie, University of Liège, 4000 Liège, BelgiumRoyal Museums of Fine Arts of Belgium, 1000 Brussels, BelgiumCEA—Centre Européen d’Archéométrie, University of Liège, 4000 Liège, BelgiumPaul Delvaux (1897–1994) was a Belgian Surrealist painter known for his dreamlike and enigmatic compositions. His works often featured nude or semi-nude women and deserted urban landscapes, evoking a sense of mystery and intrigue. Delvaux’s meticulous attention to detail and masterful use of light and shadow added depth and realism to his surrealistic style, making him one of the leading figures of the Belgian Surrealist movement. Although writings about Paul Delvaux’s work are not lacking, the literature mainly deals with the stylistic and iconographic aspects of his work. Taking an interest in painting materials and the painter’s technique allows us to understand his personality and to apprehend his work in a different way. In order to collect such information, the early painted production of Delvaux was studied in situ with imaging methods (high-resolution photography, infrared reflectography and X-ray radiography) and non-invasive analytical techniques (MA-XRF and Raman spectroscopy). The results obtained for nine oil paintings produced from 1928 to 1958 are discussed in terms of the support, the preparatory layer, the preparatory drawing, the changes in composition and reuse of paintings, the pictorial layer and the dripping phenomenon.https://www.mdpi.com/2571-9408/6/11/376Paul Delvauxpainting analysisnon-destructive analysispigment identificationpainting materialpictorial technique |
| spellingShingle | Edène Derzelle David Strivay Antoine Defeyt Sarah-Jane Klein Francisca Vandepitte Catherine Defeyt Paul Delvaux: The Study of Nine Paintings by Non-Invasive Methods Heritage Paul Delvaux painting analysis non-destructive analysis pigment identification painting material pictorial technique |
| title | Paul Delvaux: The Study of Nine Paintings by Non-Invasive Methods |
| title_full | Paul Delvaux: The Study of Nine Paintings by Non-Invasive Methods |
| title_fullStr | Paul Delvaux: The Study of Nine Paintings by Non-Invasive Methods |
| title_full_unstemmed | Paul Delvaux: The Study of Nine Paintings by Non-Invasive Methods |
| title_short | Paul Delvaux: The Study of Nine Paintings by Non-Invasive Methods |
| title_sort | paul delvaux the study of nine paintings by non invasive methods |
| topic | Paul Delvaux painting analysis non-destructive analysis pigment identification painting material pictorial technique |
| url | https://www.mdpi.com/2571-9408/6/11/376 |
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