Noir Affect in Lauren Beukes’s Zoo City

Taking its cue from Christopher Breu and Elizabeth A. Hatmaker’s rethinking of noir affect as a descriptor of detective fiction, this paper contributes to the discussion of South African writer Lauren Beukes’s Zoo City as a narrative that both harnesses and fluidifies the generic conventions of the...

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Main Author: Carmen Borbély
Format: Article
Language:English
Published: Babes-Bolyai University, Cluj-Napoca 2022-12-01
Series:Caietele Echinox
Subjects:
Online Access:http://caieteleechinox.lett.ubbcluj.ro/wp-content/uploads/2022/12/CaieteEchinox43-2022-p.246-261.pdf
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author Carmen Borbély
author_facet Carmen Borbély
author_sort Carmen Borbély
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description Taking its cue from Christopher Breu and Elizabeth A. Hatmaker’s rethinking of noir affect as a descriptor of detective fiction, this paper contributes to the discussion of South African writer Lauren Beukes’s Zoo City as a narrative that both harnesses and fluidifies the generic conventions of the crime thriller. Pondering Beukes’s claim that her story may become the site for the transmutation or transmission of ethically adjusted emotion, the paper resorts to Lauren Berlant’s thoughts on detective fiction as a genre condensing the “cruel optimism” of the ordinary, rather than the evental, present to explore the clues of affectional attunement in Lauren Beukes’s postapartheid novel.
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spelling doaj.art-b2d3e940054a41d69b03d0b322b150482023-09-25T11:29:30ZengBabes-Bolyai University, Cluj-NapocaCaietele Echinox1582-960X2022-12-014324626110.24193/cechinox.2022.43.16Noir Affect in Lauren Beukes’s Zoo CityCarmen Borbély0Babes-Bolyai University, Cluj-Napoca, RomaniaTaking its cue from Christopher Breu and Elizabeth A. Hatmaker’s rethinking of noir affect as a descriptor of detective fiction, this paper contributes to the discussion of South African writer Lauren Beukes’s Zoo City as a narrative that both harnesses and fluidifies the generic conventions of the crime thriller. Pondering Beukes’s claim that her story may become the site for the transmutation or transmission of ethically adjusted emotion, the paper resorts to Lauren Berlant’s thoughts on detective fiction as a genre condensing the “cruel optimism” of the ordinary, rather than the evental, present to explore the clues of affectional attunement in Lauren Beukes’s postapartheid novel. http://caieteleechinox.lett.ubbcluj.ro/wp-content/uploads/2022/12/CaieteEchinox43-2022-p.246-261.pdfnoir affectcrime fictionmuti noirlauren beukescruel optimism
spellingShingle Carmen Borbély
Noir Affect in Lauren Beukes’s Zoo City
Caietele Echinox
noir affect
crime fiction
muti noir
lauren beukes
cruel optimism
title Noir Affect in Lauren Beukes’s Zoo City
title_full Noir Affect in Lauren Beukes’s Zoo City
title_fullStr Noir Affect in Lauren Beukes’s Zoo City
title_full_unstemmed Noir Affect in Lauren Beukes’s Zoo City
title_short Noir Affect in Lauren Beukes’s Zoo City
title_sort noir affect in lauren beukes s zoo city
topic noir affect
crime fiction
muti noir
lauren beukes
cruel optimism
url http://caieteleechinox.lett.ubbcluj.ro/wp-content/uploads/2022/12/CaieteEchinox43-2022-p.246-261.pdf
work_keys_str_mv AT carmenborbely noiraffectinlaurenbeukesszoocity