Le Poids de l’ombre

Borrowing its paradoxical title from Buci-Glucksman, this paper endeavors to think of the shadow in its weighty physicality, an evanescent materiality intimately linked to death. Inspired by a lesser-known short story « The Shadow » by E. A. Poe, it moves on to analyze ten famous tales by the same a...

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Main Author: Marc Amfreville
Format: Article
Language:English
Published: Université Toulouse - Jean Jaurès 2013-10-01
Series:Miranda: Revue Pluridisciplinaire du Monde Anglophone
Subjects:
Online Access:http://journals.openedition.org/miranda/3491
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author Marc Amfreville
author_facet Marc Amfreville
author_sort Marc Amfreville
collection DOAJ
description Borrowing its paradoxical title from Buci-Glucksman, this paper endeavors to think of the shadow in its weighty physicality, an evanescent materiality intimately linked to death. Inspired by a lesser-known short story « The Shadow » by E. A. Poe, it moves on to analyze ten famous tales by the same author to demonstrate that the shadow is always the perceptible print of what it follows, thus performing an inversion of the arrow of time and of logic itself that heralds the future Freudian discovery of Nachtraglichkeit (unsatisfyingly translated by « deferred action »). Between pathological melancholy and death drive, Gothic literature thus invites us to conceive the shadow as naturally following the trauma occasioned by loss but also as adumbrating the subject’s own dissolution.
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spelling doaj.art-b370fce7917247c3a404a8c52cdec4182022-12-21T22:39:01ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592013-10-01810.4000/miranda.3491Le Poids de l’ombreMarc AmfrevilleBorrowing its paradoxical title from Buci-Glucksman, this paper endeavors to think of the shadow in its weighty physicality, an evanescent materiality intimately linked to death. Inspired by a lesser-known short story « The Shadow » by E. A. Poe, it moves on to analyze ten famous tales by the same author to demonstrate that the shadow is always the perceptible print of what it follows, thus performing an inversion of the arrow of time and of logic itself that heralds the future Freudian discovery of Nachtraglichkeit (unsatisfyingly translated by « deferred action »). Between pathological melancholy and death drive, Gothic literature thus invites us to conceive the shadow as naturally following the trauma occasioned by loss but also as adumbrating the subject’s own dissolution.http://journals.openedition.org/miranda/3491sublimegothicspecterdoublesimulacrumtrauma
spellingShingle Marc Amfreville
Le Poids de l’ombre
Miranda: Revue Pluridisciplinaire du Monde Anglophone
sublime
gothic
specter
double
simulacrum
trauma
title Le Poids de l’ombre
title_full Le Poids de l’ombre
title_fullStr Le Poids de l’ombre
title_full_unstemmed Le Poids de l’ombre
title_short Le Poids de l’ombre
title_sort le poids de l ombre
topic sublime
gothic
specter
double
simulacrum
trauma
url http://journals.openedition.org/miranda/3491
work_keys_str_mv AT marcamfreville lepoidsdelombre