Teatro interculturale e corpi-in-relazione. AlmaTeatro e la questione dell'identità culturale oggi

Complex contemporary societies see the emergence upon the scene of realities and experiences whose individuals are from cultural or national origins other than Westerners. Whatever the practices adopted for the work, these realities always face the issues of cultural identity and diversity on stage...

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Main Author: Cristina Balma Tivola
Format: Article
Language:English
Published: University of Bologna 2014-07-01
Series:Antropologia e Teatro
Online Access:http://antropologiaeteatro.unibo.it/article/view/4391
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author Cristina Balma Tivola
author_facet Cristina Balma Tivola
author_sort Cristina Balma Tivola
collection DOAJ
description Complex contemporary societies see the emergence upon the scene of realities and experiences whose individuals are from cultural or national origins other than Westerners. Whatever the practices adopted for the work, these realities always face the issues of cultural identity and diversity on stage as well as in their members everyday lives, and issues such as immigration, multiculturalism and interculturalism politics of the society where these experiences emerge and/or develop. The literature produced on the topic is already substantial, and present a huge number of cases. The most useful theoretical models to analyze these, their production processes and the networks of relationship they hold with the society they relate to are those by Gilbert & Lo and Holledge & Tompkins. The presentation of these models is accompanied here by their application in the analysis of the activity of a multi-and intercultural Italian theatre company, AlmaTeatro.
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spelling doaj.art-b378e2e965d84ead849afcaaacb2c07d2022-12-22T02:09:16ZengUniversity of BolognaAntropologia e Teatro2039-22812014-07-015510.6092/issn.2039-2281/43914047Teatro interculturale e corpi-in-relazione. AlmaTeatro e la questione dell'identità culturale oggiCristina Balma TivolaComplex contemporary societies see the emergence upon the scene of realities and experiences whose individuals are from cultural or national origins other than Westerners. Whatever the practices adopted for the work, these realities always face the issues of cultural identity and diversity on stage as well as in their members everyday lives, and issues such as immigration, multiculturalism and interculturalism politics of the society where these experiences emerge and/or develop. The literature produced on the topic is already substantial, and present a huge number of cases. The most useful theoretical models to analyze these, their production processes and the networks of relationship they hold with the society they relate to are those by Gilbert & Lo and Holledge & Tompkins. The presentation of these models is accompanied here by their application in the analysis of the activity of a multi-and intercultural Italian theatre company, AlmaTeatro.http://antropologiaeteatro.unibo.it/article/view/4391
spellingShingle Cristina Balma Tivola
Teatro interculturale e corpi-in-relazione. AlmaTeatro e la questione dell'identità culturale oggi
Antropologia e Teatro
title Teatro interculturale e corpi-in-relazione. AlmaTeatro e la questione dell'identità culturale oggi
title_full Teatro interculturale e corpi-in-relazione. AlmaTeatro e la questione dell'identità culturale oggi
title_fullStr Teatro interculturale e corpi-in-relazione. AlmaTeatro e la questione dell'identità culturale oggi
title_full_unstemmed Teatro interculturale e corpi-in-relazione. AlmaTeatro e la questione dell'identità culturale oggi
title_short Teatro interculturale e corpi-in-relazione. AlmaTeatro e la questione dell'identità culturale oggi
title_sort teatro interculturale e corpi in relazione almateatro e la questione dell identita culturale oggi
url http://antropologiaeteatro.unibo.it/article/view/4391
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