Traditional vocal music as a reference in contemporary Serbian art song
The article examines the relation between traditional vocal music and contemporary compositional poetics in Serbian art song, created in the last two decades. The special relationship between the “eastern” Balkans inheritance and “western” compositional practices which characterized Serbian...
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| Format: | Article |
| Language: | English |
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Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts
2016-01-01
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| Series: | Muzikologija |
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| Online Access: | http://www.doiserbia.nb.rs/img/doi/1450-9814/2016/1450-98141620151S.pdf |
| Summary: | The article examines the relation between traditional vocal music and
contemporary compositional poetics in Serbian art song, created in the last
two decades. The special relationship between the “eastern” Balkans
inheritance and “western” compositional practices which characterized Serbian
music throughout the 20th century is considered in a contemporary,
post-modern context and within a particular genre framework. The status of
the reference itself, as well as of referential relationships, are examined
through examples taken from three works: Dve tužbalice (1997) for soprano,
viola and piano by Đuro Živković (1975), Da su meni oči tvoje (2008) for
soprano, flute and piano by Ivan Brkljačić (1977) and Rukoveti (2000) for
soprano and orchestra by Isidora Žebeljan (1967). [Projekat Ministarstva
nauke Republike Srbije, br. 177019: Identities of Serbian Music in the World
Cultural Context] |
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| ISSN: | 1450-9814 2406-0976 |