Autoportraits photographiques américains : De la blancheur à l’ombre chez Alfred Stieglitz ; de la nudité au pastiche chez Lee Miller
Our aim is to analyse the reasons behind overexposure in two self-portraits, one of Alfred Stieglitz (1911), and another of Lee Miller (1930). For Stieglitz, overexposure implies a strategy to free photography from the influence of painters present in the pictorialist movement in order to create a s...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2013-12-01
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| Series: | Sillages Critiques |
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| Online Access: | http://journals.openedition.org/sillagescritiques/3781 |