Carl Jung’s Archetypes in Malayalam Film: A Case Study on The Film ‘Urumi’

Movies are the visual- auditory symbolic narrative that explains the living reality of people. Films employ Carl Jung’s concept of archetypes-prototypical characters. This research provides an insight about the theory of archetype based on the assumption that archetypes resides deep inside human min...

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Main Authors: Varghese Sona, Balasubramanian Arumugam
Format: Article
Language:English
Published: EDP Sciences 2017-01-01
Series:SHS Web of Conferences
Online Access:https://doi.org/10.1051/shsconf/20173300018
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author Varghese Sona
Balasubramanian Arumugam
author_facet Varghese Sona
Balasubramanian Arumugam
author_sort Varghese Sona
collection DOAJ
description Movies are the visual- auditory symbolic narrative that explains the living reality of people. Films employ Carl Jung’s concept of archetypes-prototypical characters. This research provides an insight about the theory of archetype based on the assumption that archetypes resides deep inside human mind. The researcher proposes that the Malayalam film industry in India showcases the western concept of archetype using the movie Urumi as a case study. For this study, different clips are taken from the movie to represent six essential archetypes, namely, Hero, Anima, Animus, Mentor (sage), Shadow, and Trickster. The psychoanalysis of this movie carried out in this paper provides evidence for the existence of all six essential archetypes identified by Carl Jung. Thus this article will be a fruitful resource for future research in the field of psychoanalysis of movies.
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spelling doaj.art-b3846c6d0258494a9f300ab193c70b102022-12-21T23:27:08ZengEDP SciencesSHS Web of Conferences2261-24242017-01-01330001810.1051/shsconf/20173300018shsconf_icome2017_00018Carl Jung’s Archetypes in Malayalam Film: A Case Study on The Film ‘Urumi’Varghese Sona0Balasubramanian Arumugam1Department of Communication, Coimbatore, Amrita Vishwa Vidyapeetham UniversityDepartment of Communication, Coimbatore, Amrita Vishwa Vidyapeetham UniversityMovies are the visual- auditory symbolic narrative that explains the living reality of people. Films employ Carl Jung’s concept of archetypes-prototypical characters. This research provides an insight about the theory of archetype based on the assumption that archetypes resides deep inside human mind. The researcher proposes that the Malayalam film industry in India showcases the western concept of archetype using the movie Urumi as a case study. For this study, different clips are taken from the movie to represent six essential archetypes, namely, Hero, Anima, Animus, Mentor (sage), Shadow, and Trickster. The psychoanalysis of this movie carried out in this paper provides evidence for the existence of all six essential archetypes identified by Carl Jung. Thus this article will be a fruitful resource for future research in the field of psychoanalysis of movies.https://doi.org/10.1051/shsconf/20173300018
spellingShingle Varghese Sona
Balasubramanian Arumugam
Carl Jung’s Archetypes in Malayalam Film: A Case Study on The Film ‘Urumi’
SHS Web of Conferences
title Carl Jung’s Archetypes in Malayalam Film: A Case Study on The Film ‘Urumi’
title_full Carl Jung’s Archetypes in Malayalam Film: A Case Study on The Film ‘Urumi’
title_fullStr Carl Jung’s Archetypes in Malayalam Film: A Case Study on The Film ‘Urumi’
title_full_unstemmed Carl Jung’s Archetypes in Malayalam Film: A Case Study on The Film ‘Urumi’
title_short Carl Jung’s Archetypes in Malayalam Film: A Case Study on The Film ‘Urumi’
title_sort carl jung s archetypes in malayalam film a case study on the film urumi
url https://doi.org/10.1051/shsconf/20173300018
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