De-Location "Indipendence:" The Discourse on Southeast Asian Indipendent Cinema

This essay examines the ways Southeast Asian Independent Cinema can be located – or, perhaps, de-located –, departing from traditional concepts of film studies, by examining the discourse on this cinematic movement as it is shaped by local and foreign voices. The paper focuses on the nexus of indep...

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Main Author: Natalie Boehler
Format: Article
Language:English
Published: Milano University Press 2013-03-01
Series:Cinéma & Cie
Online Access:https://riviste.unimi.it/index.php/cinemaetcie/article/view/16271
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author Natalie Boehler
author_facet Natalie Boehler
author_sort Natalie Boehler
collection DOAJ
description This essay examines the ways Southeast Asian Independent Cinema can be located – or, perhaps, de-located –, departing from traditional concepts of film studies, by examining the discourse on this cinematic movement as it is shaped by local and foreign voices. The paper focuses on the nexus of independence, political involvement and regionalism and asks how these meanings are negotiated in their transfer from various previous concepts of cinematic independence and alternativeness into the local context. As Southeast Asian Independent Cinema challenges conventional notions of film studies (the frame of national cinemas; the binary system of Hollywood vs. World Cinema; and the pre-digital cinematic apparatus), it presents an opportunity to rethink and expand traditional concepts and the underlying epistemologies in an innovative, non-Eurocentric way.
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spelling doaj.art-b3d38dc59cd749d8b751250478fb07122024-02-15T15:28:55ZengMilano University PressCinéma & Cie2036-461X2013-03-011320De-Location "Indipendence:" The Discourse on Southeast Asian Indipendent CinemaNatalie Boehler0University of Zurich This essay examines the ways Southeast Asian Independent Cinema can be located – or, perhaps, de-located –, departing from traditional concepts of film studies, by examining the discourse on this cinematic movement as it is shaped by local and foreign voices. The paper focuses on the nexus of independence, political involvement and regionalism and asks how these meanings are negotiated in their transfer from various previous concepts of cinematic independence and alternativeness into the local context. As Southeast Asian Independent Cinema challenges conventional notions of film studies (the frame of national cinemas; the binary system of Hollywood vs. World Cinema; and the pre-digital cinematic apparatus), it presents an opportunity to rethink and expand traditional concepts and the underlying epistemologies in an innovative, non-Eurocentric way. https://riviste.unimi.it/index.php/cinemaetcie/article/view/16271
spellingShingle Natalie Boehler
De-Location "Indipendence:" The Discourse on Southeast Asian Indipendent Cinema
Cinéma & Cie
title De-Location "Indipendence:" The Discourse on Southeast Asian Indipendent Cinema
title_full De-Location "Indipendence:" The Discourse on Southeast Asian Indipendent Cinema
title_fullStr De-Location "Indipendence:" The Discourse on Southeast Asian Indipendent Cinema
title_full_unstemmed De-Location "Indipendence:" The Discourse on Southeast Asian Indipendent Cinema
title_short De-Location "Indipendence:" The Discourse on Southeast Asian Indipendent Cinema
title_sort de location indipendence the discourse on southeast asian indipendent cinema
url https://riviste.unimi.it/index.php/cinemaetcie/article/view/16271
work_keys_str_mv AT natalieboehler delocationindipendencethediscourseonsoutheastasianindipendentcinema