Making Experiences Our Own: A Review of The Amen Corner, 2021
The author reviews the 2021 production of James Baldwin’s play, The Amen Corner, as directed by Whitney White at Shakespeare Theatre Company in Washington, DC. After situating the experience of engaging with Baldwin’s art through a constructivist approach to art-based education and learning design,...
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Format: | Article |
Language: | English |
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Manchester University Press
2022-09-01
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Series: | James Baldwin Review |
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Online Access: | https://www.manchesteropenhive.com/view/journals/jbr/8/1/article-p164.xml |
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author | Ijeoma N. Njaka |
author_facet | Ijeoma N. Njaka |
author_sort | Ijeoma N. Njaka |
collection | DOAJ |
description | The author reviews the 2021 production of James Baldwin’s play, The Amen Corner, as directed by Whitney White at Shakespeare Theatre Company in Washington, DC. After situating the experience of engaging with Baldwin’s art through a constructivist approach to art-based education and learning design, the piece turns to considering the impact of various interpretive materials and the director’s artistic vision in the production. White’s decision to include an epigraph in the production leaves a notable impact, particularly in conversation with Baldwin’s essays, “Why I Stopped Hating Shakespeare” and “The Artist’s Struggle for Integrity.” |
first_indexed | 2024-04-11T09:33:34Z |
format | Article |
id | doaj.art-b3e5366890d749099666859f7d6e5b99 |
institution | Directory Open Access Journal |
issn | 2056-9203 2056-9211 |
language | English |
last_indexed | 2024-04-11T09:33:34Z |
publishDate | 2022-09-01 |
publisher | Manchester University Press |
record_format | Article |
series | James Baldwin Review |
spelling | doaj.art-b3e5366890d749099666859f7d6e5b992022-12-22T04:31:47ZengManchester University PressJames Baldwin Review2056-92032056-92112022-09-018116417510.7227/JBR.8.9Making Experiences Our Own: A Review of The Amen Corner, 2021Ijeoma N. Njaka0Georgetown UniversityThe author reviews the 2021 production of James Baldwin’s play, The Amen Corner, as directed by Whitney White at Shakespeare Theatre Company in Washington, DC. After situating the experience of engaging with Baldwin’s art through a constructivist approach to art-based education and learning design, the piece turns to considering the impact of various interpretive materials and the director’s artistic vision in the production. White’s decision to include an epigraph in the production leaves a notable impact, particularly in conversation with Baldwin’s essays, “Why I Stopped Hating Shakespeare” and “The Artist’s Struggle for Integrity.”https://www.manchesteropenhive.com/view/journals/jbr/8/1/article-p164.xmlthe amen corner"why i stopped hating shakespeare"whitney whiteblack futuresconstructivismlearning designarts education |
spellingShingle | Ijeoma N. Njaka Making Experiences Our Own: A Review of The Amen Corner, 2021 James Baldwin Review the amen corner "why i stopped hating shakespeare" whitney white black futures constructivism learning design arts education |
title | Making Experiences Our Own: A Review of The Amen Corner, 2021 |
title_full | Making Experiences Our Own: A Review of The Amen Corner, 2021 |
title_fullStr | Making Experiences Our Own: A Review of The Amen Corner, 2021 |
title_full_unstemmed | Making Experiences Our Own: A Review of The Amen Corner, 2021 |
title_short | Making Experiences Our Own: A Review of The Amen Corner, 2021 |
title_sort | making experiences our own a review of the amen corner 2021 |
topic | the amen corner "why i stopped hating shakespeare" whitney white black futures constructivism learning design arts education |
url | https://www.manchesteropenhive.com/view/journals/jbr/8/1/article-p164.xml |
work_keys_str_mv | AT ijeomannjaka makingexperiencesourownareviewoftheamencorner2021 |