Making Experiences Our Own: A Review of The Amen Corner, 2021

The author reviews the 2021 production of James Baldwin’s play, The Amen Corner, as directed by Whitney White at Shakespeare Theatre Company in Washington, DC. After situating the experience of engaging with Baldwin’s art through a constructivist approach to art-based education and learning design,...

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Main Author: Ijeoma N. Njaka
Format: Article
Language:English
Published: Manchester University Press 2022-09-01
Series:James Baldwin Review
Subjects:
Online Access:https://www.manchesteropenhive.com/view/journals/jbr/8/1/article-p164.xml
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author Ijeoma N. Njaka
author_facet Ijeoma N. Njaka
author_sort Ijeoma N. Njaka
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description The author reviews the 2021 production of James Baldwin’s play, The Amen Corner, as directed by Whitney White at Shakespeare Theatre Company in Washington, DC. After situating the experience of engaging with Baldwin’s art through a constructivist approach to art-based education and learning design, the piece turns to considering the impact of various interpretive materials and the director’s artistic vision in the production. White’s decision to include an epigraph in the production leaves a notable impact, particularly in conversation with Baldwin’s essays, “Why I Stopped Hating Shakespeare” and “The Artist’s Struggle for Integrity.”
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spelling doaj.art-b3e5366890d749099666859f7d6e5b992022-12-22T04:31:47ZengManchester University PressJames Baldwin Review2056-92032056-92112022-09-018116417510.7227/JBR.8.9Making Experiences Our Own: A Review of The Amen Corner, 2021Ijeoma N. Njaka0Georgetown UniversityThe author reviews the 2021 production of James Baldwin’s play, The Amen Corner, as directed by Whitney White at Shakespeare Theatre Company in Washington, DC. After situating the experience of engaging with Baldwin’s art through a constructivist approach to art-based education and learning design, the piece turns to considering the impact of various interpretive materials and the director’s artistic vision in the production. White’s decision to include an epigraph in the production leaves a notable impact, particularly in conversation with Baldwin’s essays, “Why I Stopped Hating Shakespeare” and “The Artist’s Struggle for Integrity.”https://www.manchesteropenhive.com/view/journals/jbr/8/1/article-p164.xmlthe amen corner"why i stopped hating shakespeare"whitney whiteblack futuresconstructivismlearning designarts education
spellingShingle Ijeoma N. Njaka
Making Experiences Our Own: A Review of The Amen Corner, 2021
James Baldwin Review
the amen corner
"why i stopped hating shakespeare"
whitney white
black futures
constructivism
learning design
arts education
title Making Experiences Our Own: A Review of The Amen Corner, 2021
title_full Making Experiences Our Own: A Review of The Amen Corner, 2021
title_fullStr Making Experiences Our Own: A Review of The Amen Corner, 2021
title_full_unstemmed Making Experiences Our Own: A Review of The Amen Corner, 2021
title_short Making Experiences Our Own: A Review of The Amen Corner, 2021
title_sort making experiences our own a review of the amen corner 2021
topic the amen corner
"why i stopped hating shakespeare"
whitney white
black futures
constructivism
learning design
arts education
url https://www.manchesteropenhive.com/view/journals/jbr/8/1/article-p164.xml
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