Persuasion: Nicolas Pineau's Designs on the Social

This essay offers a Latourian account of the wood sculptor Nicolas Pineau's design process via a reading of Jean-François Bastide's novella La petite maison. It argues that the conventional form assumed by his drawings or 'inscriptions' – the indications of scale, the delineation...

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Main Author: Scott, Katie
Format: Article
Language:deu
Published: International Association of Research Institutes in the History of Art (RIHA) 2014-03-01
Series:RIHA Journal
Subjects:
Online Access:http://www.riha-journal.org/articles/2014/2014-jan-mar/special-issue-art-design-history/scott-persuasion
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author Scott, Katie
author_facet Scott, Katie
author_sort Scott, Katie
collection DOAJ
description This essay offers a Latourian account of the wood sculptor Nicolas Pineau's design process via a reading of Jean-François Bastide's novella La petite maison. It argues that the conventional form assumed by his drawings or 'inscriptions' – the indications of scale, the delineation of options, the signatures and marginal notes – can be read as traces of seduction that helped 'translate' potential patrons to a taste for Rococo. The essay further suggests that the activation of the taste at the point of commission was kept alive in the designs executed by the bi-modal asymmetry that is characteristic of the goût pittoresque because its exercise was considered a mark of refinement.
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spelling doaj.art-b407ebe1abd14fc2973cedb48e4286f72023-11-02T09:58:28ZdeuInternational Association of Research Institutes in the History of Art (RIHA)RIHA Journal2190-33282190-33282014-03-010086Persuasion: Nicolas Pineau's Designs on the SocialScott, KatieThis essay offers a Latourian account of the wood sculptor Nicolas Pineau's design process via a reading of Jean-François Bastide's novella La petite maison. It argues that the conventional form assumed by his drawings or 'inscriptions' – the indications of scale, the delineation of options, the signatures and marginal notes – can be read as traces of seduction that helped 'translate' potential patrons to a taste for Rococo. The essay further suggests that the activation of the taste at the point of commission was kept alive in the designs executed by the bi-modal asymmetry that is characteristic of the goût pittoresque because its exercise was considered a mark of refinement.http://www.riha-journal.org/articles/2014/2014-jan-mar/special-issue-art-design-history/scott-persuasionactor-networkrococodrawingJean-François BastideBruno LatourNicolas Pineau
spellingShingle Scott, Katie
Persuasion: Nicolas Pineau's Designs on the Social
RIHA Journal
actor-network
rococo
drawing
Jean-François Bastide
Bruno Latour
Nicolas Pineau
title Persuasion: Nicolas Pineau's Designs on the Social
title_full Persuasion: Nicolas Pineau's Designs on the Social
title_fullStr Persuasion: Nicolas Pineau's Designs on the Social
title_full_unstemmed Persuasion: Nicolas Pineau's Designs on the Social
title_short Persuasion: Nicolas Pineau's Designs on the Social
title_sort persuasion nicolas pineau s designs on the social
topic actor-network
rococo
drawing
Jean-François Bastide
Bruno Latour
Nicolas Pineau
url http://www.riha-journal.org/articles/2014/2014-jan-mar/special-issue-art-design-history/scott-persuasion
work_keys_str_mv AT scottkatie persuasionnicolaspineausdesignsonthesocial