“Made by the Son of a Black”: José Campeche as Artist and Free Person of Color in Late Eighteenth-Century Puerto Rico
In response to the absence of a critical discussion of race within his historiography, this essay focuses on José Campeche (1751–1809) as an artist of African descent and argues that the socially and culturally inscribed constructs of race and Campeche’s lived experiences of them in late eighteenth-...
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| Format: | Article |
| Language: | English |
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MDPI AG
2023-06-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/12/4/126 |
| _version_ | 1797585552161112064 |
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| author | Emily K. Thames |
| author_facet | Emily K. Thames |
| author_sort | Emily K. Thames |
| collection | DOAJ |
| description | In response to the absence of a critical discussion of race within his historiography, this essay focuses on José Campeche (1751–1809) as an artist of African descent and argues that the socially and culturally inscribed constructs of race and Campeche’s lived experiences of them in late eighteenth-century Puerto Rico shaped and informed his participation in the arts. Campeche lived both as an artist and as a free man of color within a racialized colonial society, and as such, inquiries regarding how race affected Campeche’s life and artistic practice, and particularly how his immersion in the community of free people of color in San Juan possibly impacted the manner in which he was trained and worked, allow for a more comprehensive understanding of his art production. Using comparable examples of African descendant artists and artisans active in other colonial centers, such as Mexico City and Havana, this article elucidates connections between Campeche’s socioracial reality, his artistic career, and his work through an examination of the relationship between race and art making in Puerto Rico, the broader Caribbean region, and the greater Spanish Empire during the late eighteenth and early nineteenth centuries. This analysis of Campeche’s career and work prompts new questions about the artist that have not been asked in previous scholarship, such as how the structures of race would have defined his position and interactions within colonial society and also how his complex multiracial identity may have allowed him access to the different kinds of artistic exposure, training, and opportunities he likely had in San Juan. |
| first_indexed | 2024-03-11T00:08:46Z |
| format | Article |
| id | doaj.art-b42f9c4d8329483688dd3ed33d289f8c |
| institution | Directory Open Access Journal |
| issn | 2076-0752 |
| language | English |
| last_indexed | 2024-03-11T00:08:46Z |
| publishDate | 2023-06-01 |
| publisher | MDPI AG |
| record_format | Article |
| series | Arts |
| spelling | doaj.art-b42f9c4d8329483688dd3ed33d289f8c2023-11-19T00:10:36ZengMDPI AGArts2076-07522023-06-0112412610.3390/arts12040126“Made by the Son of a Black”: José Campeche as Artist and Free Person of Color in Late Eighteenth-Century Puerto RicoEmily K. Thames0Art History Department, Florida State University, Tallahassee, FL 32306, USAIn response to the absence of a critical discussion of race within his historiography, this essay focuses on José Campeche (1751–1809) as an artist of African descent and argues that the socially and culturally inscribed constructs of race and Campeche’s lived experiences of them in late eighteenth-century Puerto Rico shaped and informed his participation in the arts. Campeche lived both as an artist and as a free man of color within a racialized colonial society, and as such, inquiries regarding how race affected Campeche’s life and artistic practice, and particularly how his immersion in the community of free people of color in San Juan possibly impacted the manner in which he was trained and worked, allow for a more comprehensive understanding of his art production. Using comparable examples of African descendant artists and artisans active in other colonial centers, such as Mexico City and Havana, this article elucidates connections between Campeche’s socioracial reality, his artistic career, and his work through an examination of the relationship between race and art making in Puerto Rico, the broader Caribbean region, and the greater Spanish Empire during the late eighteenth and early nineteenth centuries. This analysis of Campeche’s career and work prompts new questions about the artist that have not been asked in previous scholarship, such as how the structures of race would have defined his position and interactions within colonial society and also how his complex multiracial identity may have allowed him access to the different kinds of artistic exposure, training, and opportunities he likely had in San Juan.https://www.mdpi.com/2076-0752/12/4/126José CampechePuerto Ricoart historyCaribbeanraceeighteenth century |
| spellingShingle | Emily K. Thames “Made by the Son of a Black”: José Campeche as Artist and Free Person of Color in Late Eighteenth-Century Puerto Rico Arts José Campeche Puerto Rico art history Caribbean race eighteenth century |
| title | “Made by the Son of a Black”: José Campeche as Artist and Free Person of Color in Late Eighteenth-Century Puerto Rico |
| title_full | “Made by the Son of a Black”: José Campeche as Artist and Free Person of Color in Late Eighteenth-Century Puerto Rico |
| title_fullStr | “Made by the Son of a Black”: José Campeche as Artist and Free Person of Color in Late Eighteenth-Century Puerto Rico |
| title_full_unstemmed | “Made by the Son of a Black”: José Campeche as Artist and Free Person of Color in Late Eighteenth-Century Puerto Rico |
| title_short | “Made by the Son of a Black”: José Campeche as Artist and Free Person of Color in Late Eighteenth-Century Puerto Rico |
| title_sort | made by the son of a black jose campeche as artist and free person of color in late eighteenth century puerto rico |
| topic | José Campeche Puerto Rico art history Caribbean race eighteenth century |
| url | https://www.mdpi.com/2076-0752/12/4/126 |
| work_keys_str_mv | AT emilykthames madebythesonofablackjosecampecheasartistandfreepersonofcolorinlateeighteenthcenturypuertorico |