The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama

This article presents a dialogue with the founders of the Motus theatre collective, Daniela Nicolò and Enrico Casagrande. It discusses the performance Panorama (2017), in regard to the recurring themes of identity and exclusion, (post-)nationalism and (non-)belonging in the work of Motus, and explor...

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Main Authors: Jeroen Coppens, Motus
Format: Article
Language:English
Published: IATC 2019-12-01
Series:Critical Stages
Subjects:
Online Access:https://www.critical-stages.org/20/the-dramaturgy-of-non-belonging-jeroen-coppens-in-dialogue-with-motus-on-sharing-identity-in-panorama/
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author Jeroen Coppens
Motus
author_facet Jeroen Coppens
Motus
author_sort Jeroen Coppens
collection DOAJ
description This article presents a dialogue with the founders of the Motus theatre collective, Daniela Nicolò and Enrico Casagrande. It discusses the performance Panorama (2017), in regard to the recurring themes of identity and exclusion, (post-)nationalism and (non-)belonging in the work of Motus, and explores how these themes relate to the issue of verbal expression and multilinguality in Panorama. The interview gives insight into how Motus’s multilayered dramaturgies of logos, image, sound and language can be a viable alternative to oppositional thinking, and how art can play an activist and catalyst role in today’s diverse society.
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spelling doaj.art-b43ebf65565c43598a4b3c1b9001a78f2022-12-21T17:22:34ZengIATCCritical Stages2409-74112019-12-0120The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in PanoramaJeroen CoppensMotusThis article presents a dialogue with the founders of the Motus theatre collective, Daniela Nicolò and Enrico Casagrande. It discusses the performance Panorama (2017), in regard to the recurring themes of identity and exclusion, (post-)nationalism and (non-)belonging in the work of Motus, and explores how these themes relate to the issue of verbal expression and multilinguality in Panorama. The interview gives insight into how Motus’s multilayered dramaturgies of logos, image, sound and language can be a viable alternative to oppositional thinking, and how art can play an activist and catalyst role in today’s diverse society.https://www.critical-stages.org/20/the-dramaturgy-of-non-belonging-jeroen-coppens-in-dialogue-with-motus-on-sharing-identity-in-panorama/motusnicolòcasagrandealexisnella tempestala mamabordersmigrationlanguageidentity
spellingShingle Jeroen Coppens
Motus
The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama
Critical Stages
motus
nicolò
casagrande
alexis
nella tempesta
la mama
borders
migration
language
identity
title The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama
title_full The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama
title_fullStr The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama
title_full_unstemmed The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama
title_short The Drama(turgy) of Non-Belonging: Jeroen Coppens in Dialogue with Motus on Sharing Identity in Panorama
title_sort drama turgy of non belonging jeroen coppens in dialogue with motus on sharing identity in panorama
topic motus
nicolò
casagrande
alexis
nella tempesta
la mama
borders
migration
language
identity
url https://www.critical-stages.org/20/the-dramaturgy-of-non-belonging-jeroen-coppens-in-dialogue-with-motus-on-sharing-identity-in-panorama/
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