Imagological Discourse in Modern Anthropological Reflection

The article presents the main stages in the development of imagology as a young science, and the dynamics of its evolution by Jean-Marie Carré and Marius François Guillard, who are considered pioneers in this direction. The review includes studies by contemporary Ukrainian scholars Dmytro Nalyvay...

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Main Author: Nataliia Yantsos
Format: Article
Language:English
Published: Danubius University 2022-10-01
Series:Journal of Danubian Studies and Research
Subjects:
Online Access:https://dj.univ-danubius.ro/index.php/JDSR/article/view/1973/2328
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author Nataliia Yantsos
author_facet Nataliia Yantsos
author_sort Nataliia Yantsos
collection DOAJ
description The article presents the main stages in the development of imagology as a young science, and the dynamics of its evolution by Jean-Marie Carré and Marius François Guillard, who are considered pioneers in this direction. The review includes studies by contemporary Ukrainian scholars Dmytro Nalyvayko and Mykola Ilnytsky. The categorical apparatus of imagology as a branch of comparative literature, the subject of which are images of other countries and foreigners, reproduced in a particular national literature, the following concepts are noted: non-national and ino-cultural, ethnocultural identity, self-determination, mutual perception, ethno-national stereotype, autostereotype, idea of the image of “one’s own” and “other” cultural space, etc.
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spelling doaj.art-b43ec210546640e8ba430c0f9293be3f2024-08-03T07:06:59ZengDanubius UniversityJournal of Danubian Studies and Research2284-52242022-10-0112289103Imagological Discourse in Modern Anthropological ReflectionNataliia Yantsos0Izmail State University of HumanitiesThe article presents the main stages in the development of imagology as a young science, and the dynamics of its evolution by Jean-Marie Carré and Marius François Guillard, who are considered pioneers in this direction. The review includes studies by contemporary Ukrainian scholars Dmytro Nalyvayko and Mykola Ilnytsky. The categorical apparatus of imagology as a branch of comparative literature, the subject of which are images of other countries and foreigners, reproduced in a particular national literature, the following concepts are noted: non-national and ino-cultural, ethnocultural identity, self-determination, mutual perception, ethno-national stereotype, autostereotype, idea of the image of “one’s own” and “other” cultural space, etc.https://dj.univ-danubius.ro/index.php/JDSR/article/view/1973/2328imagologyimage of “other”stereotypecomparative literaturementality
spellingShingle Nataliia Yantsos
Imagological Discourse in Modern Anthropological Reflection
Journal of Danubian Studies and Research
imagology
image of “other”
stereotype
comparative literature
mentality
title Imagological Discourse in Modern Anthropological Reflection
title_full Imagological Discourse in Modern Anthropological Reflection
title_fullStr Imagological Discourse in Modern Anthropological Reflection
title_full_unstemmed Imagological Discourse in Modern Anthropological Reflection
title_short Imagological Discourse in Modern Anthropological Reflection
title_sort imagological discourse in modern anthropological reflection
topic imagology
image of “other”
stereotype
comparative literature
mentality
url https://dj.univ-danubius.ro/index.php/JDSR/article/view/1973/2328
work_keys_str_mv AT nataliiayantsos imagologicaldiscourseinmodernanthropologicalreflection