Ali Ekber Çiçek’e Âit Deyiş Türünde Dört Eserin Kültürel, Sözel ve Müzikal Analizi

Sufistic Folk Literature is a special part of Turkish Folk Literature. The literary products belonging to every part of Turkish Folk Literature have their own characteristics. It can be said that although these types are the most emphasized in terms of speaking and vocalization, the richest in ter...

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Main Author: Sedat TAMAY
Format: Article
Language:deu
Published: Ankara Haci Bayram Veli University 2020-03-01
Series:Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi
Subjects:
Online Access:https://hbvdergisi.hacibayram.edu.tr/index.php/TKHBVD/article/view/2702
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author Sedat TAMAY
author_facet Sedat TAMAY
author_sort Sedat TAMAY
collection DOAJ
description Sufistic Folk Literature is a special part of Turkish Folk Literature. The literary products belonging to every part of Turkish Folk Literature have their own characteristics. It can be said that although these types are the most emphasized in terms of speaking and vocalization, the richest in terms of cultural rituals are products called “deyiş” of Sufistic Folk Literature products. The most special examples of Sufistic Folk Literature in Anatolia are undoubtedly seen within the framework of the Alawi-Bektashi tradition. In addition to extending from the anthropological perspective to the Shaman culture, this tradition has created a separate culture, literature and art after the Turks settled in Anatolia from Central Asia and Turkic regions.This study was prepared in order to make a cultural, verbal and musical analysis of four works in the form of “deyiş” by Ali Ekber Çiçek, one of the most important representatives of the Anatolian Alawi-Bektashi tradition. This work is important in terms of showing the power of the literary arts used in the works, evident sides of this culture by making a detailed examination and evaluation of four works in AlawiBektashi tradition. In the study, in addition to cultural, literary and musical analysis of these four “deyiş” have been carried out, maqam evaluations have been kept in the secondary degree as the maqams have no direct effect on traditional Alawi-Bektashi culture and music, and the “deyiş” are produced in a certain maqam frame. Indeed, the existence and value of musical elements for products belonging to the Alawi-Bektashi tradition of Anatolian is shaped according to the characteristics of verbal (literary) and cultural phenomena. In this study where four words of Ali Ekber Çiçek from the Sufistic Folk Literature universe were taken as sample, they were used qualitative methods such as source scanning and analysis.
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spelling doaj.art-b44368c5688341cbb92e7887f71e829c2023-02-15T16:07:27ZdeuAnkara Haci Bayram Veli UniversityTürk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi1306-82532147-98952020-03-0119320722110.34189/hbv.93.008Ali Ekber Çiçek’e Âit Deyiş Türünde Dört Eserin Kültürel, Sözel ve Müzikal AnaliziSedat TAMAYhttps://orcid.org/0000-0003-1797-5210Sufistic Folk Literature is a special part of Turkish Folk Literature. The literary products belonging to every part of Turkish Folk Literature have their own characteristics. It can be said that although these types are the most emphasized in terms of speaking and vocalization, the richest in terms of cultural rituals are products called “deyiş” of Sufistic Folk Literature products. The most special examples of Sufistic Folk Literature in Anatolia are undoubtedly seen within the framework of the Alawi-Bektashi tradition. In addition to extending from the anthropological perspective to the Shaman culture, this tradition has created a separate culture, literature and art after the Turks settled in Anatolia from Central Asia and Turkic regions.This study was prepared in order to make a cultural, verbal and musical analysis of four works in the form of “deyiş” by Ali Ekber Çiçek, one of the most important representatives of the Anatolian Alawi-Bektashi tradition. This work is important in terms of showing the power of the literary arts used in the works, evident sides of this culture by making a detailed examination and evaluation of four works in AlawiBektashi tradition. In the study, in addition to cultural, literary and musical analysis of these four “deyiş” have been carried out, maqam evaluations have been kept in the secondary degree as the maqams have no direct effect on traditional Alawi-Bektashi culture and music, and the “deyiş” are produced in a certain maqam frame. Indeed, the existence and value of musical elements for products belonging to the Alawi-Bektashi tradition of Anatolian is shaped according to the characteristics of verbal (literary) and cultural phenomena. In this study where four words of Ali Ekber Çiçek from the Sufistic Folk Literature universe were taken as sample, they were used qualitative methods such as source scanning and analysis.https://hbvdergisi.hacibayram.edu.tr/index.php/TKHBVD/article/view/2702sufistic folk literaturealawi-bektashi tradition“deyiş” formali ekber çiçekliterary arts
spellingShingle Sedat TAMAY
Ali Ekber Çiçek’e Âit Deyiş Türünde Dört Eserin Kültürel, Sözel ve Müzikal Analizi
Türk Kültürü ve Hacı Bektaş Velî Araştırma Dergisi
sufistic folk literature
alawi-bektashi tradition
“deyiş” form
ali ekber çiçek
literary arts
title Ali Ekber Çiçek’e Âit Deyiş Türünde Dört Eserin Kültürel, Sözel ve Müzikal Analizi
title_full Ali Ekber Çiçek’e Âit Deyiş Türünde Dört Eserin Kültürel, Sözel ve Müzikal Analizi
title_fullStr Ali Ekber Çiçek’e Âit Deyiş Türünde Dört Eserin Kültürel, Sözel ve Müzikal Analizi
title_full_unstemmed Ali Ekber Çiçek’e Âit Deyiş Türünde Dört Eserin Kültürel, Sözel ve Müzikal Analizi
title_short Ali Ekber Çiçek’e Âit Deyiş Türünde Dört Eserin Kültürel, Sözel ve Müzikal Analizi
title_sort ali ekber cicek e ait deyis turunde dort eserin kulturel sozel ve muzikal analizi
topic sufistic folk literature
alawi-bektashi tradition
“deyiş” form
ali ekber çiçek
literary arts
url https://hbvdergisi.hacibayram.edu.tr/index.php/TKHBVD/article/view/2702
work_keys_str_mv AT sedattamay aliekbercicekeaitdeyisturundedorteserinkulturelsozelvemuzikalanalizi