Theatres of War: London's Little Theatres

The gathering of experimental theatre companies in Chelsea after 1914 gave the area a new lease of life as a centre for modern art, just when the London avant-garde is meant to have broken up because of the war. This section will present the main groups involved as listed below. It will use the surv...

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Main Authors: Grace Brockington, Claudia Tobin
Format: Article
Language:English
Published: Yale University 2019-03-01
Series:British Art Studies
Subjects:
Online Access:http://britishartstudies.ac.uk/issues/issue-index/issue-11/little-theatres
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author Grace Brockington
Claudia Tobin
author_facet Grace Brockington
Claudia Tobin
author_sort Grace Brockington
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description The gathering of experimental theatre companies in Chelsea after 1914 gave the area a new lease of life as a centre for modern art, just when the London avant-garde is meant to have broken up because of the war. This section will present the main groups involved as listed below. It will use the surviving evidence of pictures, photographs and documents to recreate a sense of the performances that they staged, their camaraderie, and the radical ideas that underpinned their productions, and that drove them to keep experimenting throughout the war. The idea of the unity of the arts was particularly important to their work, and will be explored through the intermingling of works of visual art and theatrical material.
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spelling doaj.art-b47b9d6a687048b3a9818c7417e5d6052022-12-22T03:07:42ZengYale UniversityBritish Art Studies2058-54622019-03-011110.17658/issn.2058-5462/issue-11/theatresTheatres of War: London's Little TheatresGrace Brockington0Claudia Tobin1University of BristolUniversity of CambridgeThe gathering of experimental theatre companies in Chelsea after 1914 gave the area a new lease of life as a centre for modern art, just when the London avant-garde is meant to have broken up because of the war. This section will present the main groups involved as listed below. It will use the surviving evidence of pictures, photographs and documents to recreate a sense of the performances that they staged, their camaraderie, and the radical ideas that underpinned their productions, and that drove them to keep experimenting throughout the war. The idea of the unity of the arts was particularly important to their work, and will be explored through the intermingling of works of visual art and theatrical material.http://britishartstudies.ac.uk/issues/issue-index/issue-11/little-theatresmargaret morristheatreperformancechoreographychelseaCharles Rennie MackintoshBallets RussesSerafina AstafievaJacob Epsteinvernon lee
spellingShingle Grace Brockington
Claudia Tobin
Theatres of War: London's Little Theatres
British Art Studies
margaret morris
theatre
performance
choreography
chelsea
Charles Rennie Mackintosh
Ballets Russes
Serafina Astafieva
Jacob Epstein
vernon lee
title Theatres of War: London's Little Theatres
title_full Theatres of War: London's Little Theatres
title_fullStr Theatres of War: London's Little Theatres
title_full_unstemmed Theatres of War: London's Little Theatres
title_short Theatres of War: London's Little Theatres
title_sort theatres of war london s little theatres
topic margaret morris
theatre
performance
choreography
chelsea
Charles Rennie Mackintosh
Ballets Russes
Serafina Astafieva
Jacob Epstein
vernon lee
url http://britishartstudies.ac.uk/issues/issue-index/issue-11/little-theatres
work_keys_str_mv AT gracebrockington theatresofwarlondonslittletheatres
AT claudiatobin theatresofwarlondonslittletheatres