Il paesaggio della cultura. Filosofia e musica in Ortega y Gasset
Music and its treatment occupy a substantially reduced space within the articulated, plentiful array of Ortega y Gasset’s philosophical writings. References are limited to the articles Musicalia e Apatía artística published in 1921 in the review “El Sol”, and his 1925 essay, La deshumanización del a...
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Format: | Article |
Language: | English |
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Rosenberg & Sellier
2013-11-01
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Series: | Rivista di Estetica |
Online Access: | http://journals.openedition.org/estetica/1448 |
_version_ | 1811319173232459776 |
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author | Clementina Cantillo |
author_facet | Clementina Cantillo |
author_sort | Clementina Cantillo |
collection | DOAJ |
description | Music and its treatment occupy a substantially reduced space within the articulated, plentiful array of Ortega y Gasset’s philosophical writings. References are limited to the articles Musicalia e Apatía artística published in 1921 in the review “El Sol”, and his 1925 essay, La deshumanización del arte. There are, moreover, some more or less explicit references to music in Gasset’s other writings. This notwithstanding, Ortega’s reflections are of interest for reasons which are implicit within his thought’s configuration. Foremostly, Gasset’s reflections on music concern a clarification of the dynamics linking life with the different constitutive forms of a cultural landscape. |
first_indexed | 2024-04-13T12:38:30Z |
format | Article |
id | doaj.art-b507d33707cf48ddae3a36394e42d456 |
institution | Directory Open Access Journal |
issn | 0035-6212 2421-5864 |
language | English |
last_indexed | 2024-04-13T12:38:30Z |
publishDate | 2013-11-01 |
publisher | Rosenberg & Sellier |
record_format | Article |
series | Rivista di Estetica |
spelling | doaj.art-b507d33707cf48ddae3a36394e42d4562022-12-22T02:46:35ZengRosenberg & SellierRivista di Estetica0035-62122421-58642013-11-015420722710.4000/estetica.1448Il paesaggio della cultura. Filosofia e musica in Ortega y GassetClementina CantilloMusic and its treatment occupy a substantially reduced space within the articulated, plentiful array of Ortega y Gasset’s philosophical writings. References are limited to the articles Musicalia e Apatía artística published in 1921 in the review “El Sol”, and his 1925 essay, La deshumanización del arte. There are, moreover, some more or less explicit references to music in Gasset’s other writings. This notwithstanding, Ortega’s reflections are of interest for reasons which are implicit within his thought’s configuration. Foremostly, Gasset’s reflections on music concern a clarification of the dynamics linking life with the different constitutive forms of a cultural landscape.http://journals.openedition.org/estetica/1448 |
spellingShingle | Clementina Cantillo Il paesaggio della cultura. Filosofia e musica in Ortega y Gasset Rivista di Estetica |
title | Il paesaggio della cultura. Filosofia e musica in Ortega y Gasset |
title_full | Il paesaggio della cultura. Filosofia e musica in Ortega y Gasset |
title_fullStr | Il paesaggio della cultura. Filosofia e musica in Ortega y Gasset |
title_full_unstemmed | Il paesaggio della cultura. Filosofia e musica in Ortega y Gasset |
title_short | Il paesaggio della cultura. Filosofia e musica in Ortega y Gasset |
title_sort | il paesaggio della cultura filosofia e musica in ortega y gasset |
url | http://journals.openedition.org/estetica/1448 |
work_keys_str_mv | AT clementinacantillo ilpaesaggiodellaculturafilosofiaemusicainortegaygasset |