The Palimpsest of Memory in Kazuo Ishiguro’s When We Were Orphans

Using as a starting point Kazuo Ishiguro’s traumatic exile and estrangement from his homeland, this paper explores the relationship between memory and trauma in When We Were Orphans. After a brief study of different forms of displacement, the first part focuses on anamnesis and re-enactment as well...

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Main Author: Pascal Zinck
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2005-11-01
Series:Études Britanniques Contemporaines
Online Access:http://journals.openedition.org/ebc/13822
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author Pascal Zinck
author_facet Pascal Zinck
author_sort Pascal Zinck
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description Using as a starting point Kazuo Ishiguro’s traumatic exile and estrangement from his homeland, this paper explores the relationship between memory and trauma in When We Were Orphans. After a brief study of different forms of displacement, the first part focuses on anamnesis and re-enactment as well as the need for the narrator to articulate or script his story in the light of Freud’s concept of Trauerarbeit.The second part concentrates on memory malfunction and memory manipulation. Elisabeth Loftus’s false memory syndrome serves to examine the different strategies of re-membering, dis-membering and misremembering the past. Both central to the narrator’s trauma and instrumental to shaping his memories, the mother figure is seen through the Œdipal paradigm.The third and final part demonstrates how aesthetic closure blurs the borders between private and public histories. When We Were Orphans deploys an apocryphal discourse, through an East–West polarity and a Sherlock Holmes meta-narrative with its detective quick fix which problematises truth and healing.
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spelling doaj.art-b51974525106484f98943babb76ac5352023-10-03T12:59:06ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442005-11-012910.4000/ebc.13822The Palimpsest of Memory in Kazuo Ishiguro’s When We Were OrphansPascal ZinckUsing as a starting point Kazuo Ishiguro’s traumatic exile and estrangement from his homeland, this paper explores the relationship between memory and trauma in When We Were Orphans. After a brief study of different forms of displacement, the first part focuses on anamnesis and re-enactment as well as the need for the narrator to articulate or script his story in the light of Freud’s concept of Trauerarbeit.The second part concentrates on memory malfunction and memory manipulation. Elisabeth Loftus’s false memory syndrome serves to examine the different strategies of re-membering, dis-membering and misremembering the past. Both central to the narrator’s trauma and instrumental to shaping his memories, the mother figure is seen through the Œdipal paradigm.The third and final part demonstrates how aesthetic closure blurs the borders between private and public histories. When We Were Orphans deploys an apocryphal discourse, through an East–West polarity and a Sherlock Holmes meta-narrative with its detective quick fix which problematises truth and healing.http://journals.openedition.org/ebc/13822
spellingShingle Pascal Zinck
The Palimpsest of Memory in Kazuo Ishiguro’s When We Were Orphans
Études Britanniques Contemporaines
title The Palimpsest of Memory in Kazuo Ishiguro’s When We Were Orphans
title_full The Palimpsest of Memory in Kazuo Ishiguro’s When We Were Orphans
title_fullStr The Palimpsest of Memory in Kazuo Ishiguro’s When We Were Orphans
title_full_unstemmed The Palimpsest of Memory in Kazuo Ishiguro’s When We Were Orphans
title_short The Palimpsest of Memory in Kazuo Ishiguro’s When We Were Orphans
title_sort palimpsest of memory in kazuo ishiguro s when we were orphans
url http://journals.openedition.org/ebc/13822
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