Le silence de la personne présente dans le théâtre français du XXe siècle
The consideration of the silence of a present person in some French 20th century drama reveals the power and the cruelty of human silence. The play by Anouilh displays the destiny of a woman who is convicted to be a voiceless witness, whereas the one by Beckett shows the silence of a husband begged...
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| Format: | Article |
| Language: | fra |
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The John Paul II Catholic University of Lublin & Werset Publishing House
2012-12-01
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| Series: | Quêtes Littéraires |
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| Online Access: | http://czasopisma.kul.pl/ql/article/view/4630 |
| Summary: | The consideration of the silence of a present person in some French 20th century drama reveals the power and the cruelty of human silence. The play by Anouilh displays the destiny of a woman who is convicted to be a voiceless witness, whereas the one by Beckett shows the silence of a husband begged by his companion to confirm her presence. In the play by Lagarce, the agony of an ungrateful son unleashes a torrent of complaints pronounced by a women belonging to his family. Finally, both of the analysed plays by Sarraute show the consequences of silence in relations between friends. |
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| ISSN: | 2084-8099 2657-487X |