Il teatro della Taganka nel XXI secolo. Performatività della cultura russa sulla scena

The object of the paper is the latest theatrical production of one of the most influent director of XX century: Yuri Lyubimov. His provocative and innovative style is well known thanks to his performances staged in USSR and abroad, but we would to consider his productions of the last ten years. The...

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Main Author: Francesca Di Tonno
Format: Article
Language:Italian
Published: Edizioni Museo Pasqualino 2020-10-01
Series:Mantichora
Online Access:https://cab.unime.it/journals/index.php/IJPS/article/view/2799
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author Francesca Di Tonno
author_facet Francesca Di Tonno
author_sort Francesca Di Tonno
collection DOAJ
description The object of the paper is the latest theatrical production of one of the most influent director of XX century: Yuri Lyubimov. His provocative and innovative style is well known thanks to his performances staged in USSR and abroad, but we would to consider his productions of the last ten years. The aim of such circumscribed analysis is to demonstrate how Yuri Lyubimov has been able to connect into the performances of the Taganka Theatre all the elements of Russian Culture in a kind of global performance of them. The five representative performances, that we have submitted to analysis, are bound by the post – modern (and post – dramatic) use of literary, artistic, historical quotations in an intensive dialogue with the texts of Tradition and with the spectators of many generations.
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spelling doaj.art-b5b592bf1c9c468499d02b94e79c43232022-12-22T00:57:03ZitaEdizioni Museo PasqualinoMantichora2240-53802020-10-011010.6092/2240-5380/1.2011.1932209Il teatro della Taganka nel XXI secolo. Performatività della cultura russa sulla scenaFrancesca Di Tonno0Univeristà di BolognaThe object of the paper is the latest theatrical production of one of the most influent director of XX century: Yuri Lyubimov. His provocative and innovative style is well known thanks to his performances staged in USSR and abroad, but we would to consider his productions of the last ten years. The aim of such circumscribed analysis is to demonstrate how Yuri Lyubimov has been able to connect into the performances of the Taganka Theatre all the elements of Russian Culture in a kind of global performance of them. The five representative performances, that we have submitted to analysis, are bound by the post – modern (and post – dramatic) use of literary, artistic, historical quotations in an intensive dialogue with the texts of Tradition and with the spectators of many generations.https://cab.unime.it/journals/index.php/IJPS/article/view/2799
spellingShingle Francesca Di Tonno
Il teatro della Taganka nel XXI secolo. Performatività della cultura russa sulla scena
Mantichora
title Il teatro della Taganka nel XXI secolo. Performatività della cultura russa sulla scena
title_full Il teatro della Taganka nel XXI secolo. Performatività della cultura russa sulla scena
title_fullStr Il teatro della Taganka nel XXI secolo. Performatività della cultura russa sulla scena
title_full_unstemmed Il teatro della Taganka nel XXI secolo. Performatività della cultura russa sulla scena
title_short Il teatro della Taganka nel XXI secolo. Performatività della cultura russa sulla scena
title_sort il teatro della taganka nel xxi secolo performativita della cultura russa sulla scena
url https://cab.unime.it/journals/index.php/IJPS/article/view/2799
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