The politics of the pile: Material imagination and improvisation in the 1871 Paris Commune

In the Paris Commune of 1871, collectives, collective action, and shared spaces were imagined through metaphors of mounding and scattering. This article explores the material imagination that underlies these metaphors and several improvised urban constructions through which they manifested. In part...

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Main Author: Carl Douglas
Format: Article
Language:English
Published: enigma : he aupiki charitable trust 2022-03-01
Series:Interstices
Online Access:https://ojs.aut.ac.nz/interstices/index.php/Interstices/article/view/690
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author Carl Douglas
author_facet Carl Douglas
author_sort Carl Douglas
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description In the Paris Commune of 1871, collectives, collective action, and shared spaces were imagined through metaphors of mounding and scattering. This article explores the material imagination that underlies these metaphors and several improvised urban constructions through which they manifested. In particular, it refers to a mound of sticks and manure built to cushion the fall of the monumental Vendôme Column, heaps of meaningless consumer goods, impromptu barricades piled up in the streets, stellar matter imagined by Auguste Blanqui, conjugations of terms in poems by Arthur Rimbaud, and ultimately the piled bodies of the Communards themselves. This shared preoccupation, I suggest, enabled collective improvisation and the “articulation work” of cobbling together a new public world (Star and Strauss, 1999: 10).
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spelling doaj.art-b5effc64055a4f98bc5ae081601c48222022-12-22T02:22:02Zengenigma : he aupiki charitable trustInterstices2537-91942022-03-0110.24135/ijara.vi.690The politics of the pile: Material imagination and improvisation in the 1871 Paris CommuneCarl Douglas In the Paris Commune of 1871, collectives, collective action, and shared spaces were imagined through metaphors of mounding and scattering. This article explores the material imagination that underlies these metaphors and several improvised urban constructions through which they manifested. In particular, it refers to a mound of sticks and manure built to cushion the fall of the monumental Vendôme Column, heaps of meaningless consumer goods, impromptu barricades piled up in the streets, stellar matter imagined by Auguste Blanqui, conjugations of terms in poems by Arthur Rimbaud, and ultimately the piled bodies of the Communards themselves. This shared preoccupation, I suggest, enabled collective improvisation and the “articulation work” of cobbling together a new public world (Star and Strauss, 1999: 10). https://ojs.aut.ac.nz/interstices/index.php/Interstices/article/view/690
spellingShingle Carl Douglas
The politics of the pile: Material imagination and improvisation in the 1871 Paris Commune
Interstices
title The politics of the pile: Material imagination and improvisation in the 1871 Paris Commune
title_full The politics of the pile: Material imagination and improvisation in the 1871 Paris Commune
title_fullStr The politics of the pile: Material imagination and improvisation in the 1871 Paris Commune
title_full_unstemmed The politics of the pile: Material imagination and improvisation in the 1871 Paris Commune
title_short The politics of the pile: Material imagination and improvisation in the 1871 Paris Commune
title_sort politics of the pile material imagination and improvisation in the 1871 paris commune
url https://ojs.aut.ac.nz/interstices/index.php/Interstices/article/view/690
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