“The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s

The goal of this research is to investigate the pitch structures of popular music in the 1960s through a large corpus study in order to identify any consistent changes in harmonic and tonal syntax. More specifically, two studies based on the Billboard DataSet (Burgoyne, Wild & Fujinaga, 2011; Bu...

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Main Author: Hubert Léveillé Gauvin
Format: Article
Language:English
Published: The Ohio State University Libraries 2015-12-01
Series:Empirical Musicology Review
Subjects:
Online Access:https://doi.org/10.18061/emr.v10i3.4467
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author Hubert Léveillé Gauvin
author_facet Hubert Léveillé Gauvin
author_sort Hubert Léveillé Gauvin
collection DOAJ
description The goal of this research is to investigate the pitch structures of popular music in the 1960s through a large corpus study in order to identify any consistent changes in harmonic and tonal syntax. More specifically, two studies based on the Billboard DataSet (Burgoyne, Wild & Fujinaga, 2011; Burgoyne, 2011), a new corpus presenting transcriptions for more than 700 songs, are presented. The first study looks at the incidence of multi-tonic songs throughout the decade, while the second study focuses on the incidence of flat-side harmonies (e.g. bIII, bVI, and bVII) over the same period of time. While no difference was observed in the frequency of multi-tonic songs, the study showed a significant increase in the incidence of flat-side harmonies during the second half of the decade.
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spelling doaj.art-b5f7b73808344d38a25b390a8aefb3062022-12-21T21:03:29ZengThe Ohio State University LibrariesEmpirical Musicology Review1559-57492015-12-0110321523810.18061/emr.v10i3.4467“The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960sHubert Léveillé Gauvin0Schulich School of Music, McGill UniversityThe goal of this research is to investigate the pitch structures of popular music in the 1960s through a large corpus study in order to identify any consistent changes in harmonic and tonal syntax. More specifically, two studies based on the Billboard DataSet (Burgoyne, Wild & Fujinaga, 2011; Burgoyne, 2011), a new corpus presenting transcriptions for more than 700 songs, are presented. The first study looks at the incidence of multi-tonic songs throughout the decade, while the second study focuses on the incidence of flat-side harmonies (e.g. bIII, bVI, and bVII) over the same period of time. While no difference was observed in the frequency of multi-tonic songs, the study showed a significant increase in the incidence of flat-side harmonies during the second half of the decade.https://doi.org/10.18061/emr.v10i3.4467popular musiccorpusBillboardharmonymodulation
spellingShingle Hubert Léveillé Gauvin
“The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s
Empirical Musicology Review
popular music
corpus
Billboard
harmony
modulation
title “The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s
title_full “The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s
title_fullStr “The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s
title_full_unstemmed “The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s
title_short “The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s
title_sort the times they were a changin a database driven approach to the evolution of musical syntax in popular music from the 1960s
topic popular music
corpus
Billboard
harmony
modulation
url https://doi.org/10.18061/emr.v10i3.4467
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