Same Voices, Other Tombs: Structures of Mexican Gothic

The new Gothic may be explained in part as a consequence of a transition from an analogical to a metaphorical relationship between the corporeal and transcendent spheres of human experience. Irving Malin and, in a related effort, J. Douglas Perry delineate certain categories of themes, images, and n...

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Main Author: Djelal Kadir
Format: Article
Language:English
Published: New Prairie Press 1976-01-01
Series:Studies in 20th & 21st Century Literature
Subjects:
Online Access:http://newprairiepress.org/sttcl/vol1/iss1/4
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author Djelal Kadir
author_facet Djelal Kadir
author_sort Djelal Kadir
collection DOAJ
description The new Gothic may be explained in part as a consequence of a transition from an analogical to a metaphorical relationship between the corporeal and transcendent spheres of human experience. Irving Malin and, in a related effort, J. Douglas Perry delineate certain categories of themes, images, and narrative structures which define "new American Gothic" in contemporary fiction. Departing from Northrop Frye's observation that archetypes are basically a problem of structure rather than historical origin, and, that there may be archetypes of genres as well as of images, the present essay attempts to decipher certain paradigmatic categories and structures which reveal the presence of the Gothic genre in the contemporary Mexican novel. Carlos Fuentes' La muerte de Artemio Cruz and Juan Rulfo's Pedro Páramo serve as the source of the categories delineated in this study.
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spelling doaj.art-b64cf7a8b6c74ae988d35bdb2f9090452022-12-21T17:44:14ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44151976-01-011110.4148/2334-4415.10325480747Same Voices, Other Tombs: Structures of Mexican GothicDjelal KadirThe new Gothic may be explained in part as a consequence of a transition from an analogical to a metaphorical relationship between the corporeal and transcendent spheres of human experience. Irving Malin and, in a related effort, J. Douglas Perry delineate certain categories of themes, images, and narrative structures which define "new American Gothic" in contemporary fiction. Departing from Northrop Frye's observation that archetypes are basically a problem of structure rather than historical origin, and, that there may be archetypes of genres as well as of images, the present essay attempts to decipher certain paradigmatic categories and structures which reveal the presence of the Gothic genre in the contemporary Mexican novel. Carlos Fuentes' La muerte de Artemio Cruz and Juan Rulfo's Pedro Páramo serve as the source of the categories delineated in this study.http://newprairiepress.org/sttcl/vol1/iss1/4Irving Malin
spellingShingle Djelal Kadir
Same Voices, Other Tombs: Structures of Mexican Gothic
Studies in 20th & 21st Century Literature
Irving Malin
title Same Voices, Other Tombs: Structures of Mexican Gothic
title_full Same Voices, Other Tombs: Structures of Mexican Gothic
title_fullStr Same Voices, Other Tombs: Structures of Mexican Gothic
title_full_unstemmed Same Voices, Other Tombs: Structures of Mexican Gothic
title_short Same Voices, Other Tombs: Structures of Mexican Gothic
title_sort same voices other tombs structures of mexican gothic
topic Irving Malin
url http://newprairiepress.org/sttcl/vol1/iss1/4
work_keys_str_mv AT djelalkadir samevoicesothertombsstructuresofmexicangothic