The Genesis of Yi’an Style (易安體) in Medieval Chinese Poetry

This article deals with the genesis of Yi’an style (易安體), the poetic style of the outstanding Chinese female poet of the Song dynasty Li Qingzhao (李清照, 1084–1155?). The empirical material for this research is her extant early 22 ci (1098–1108). The first part of the article briefly discusses the sp...

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Main Author: Hanna Dashchenko
Format: Article
Language:English
Published: Vilnius University 2022-04-01
Series:Respectus Philologicus
Subjects:
Online Access:https://www.journals.vu.lt/respectus-philologicus/article/view/24674
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author Hanna Dashchenko
author_facet Hanna Dashchenko
author_sort Hanna Dashchenko
collection DOAJ
description This article deals with the genesis of Yi’an style (易安體), the poetic style of the outstanding Chinese female poet of the Song dynasty Li Qingzhao (李清照, 1084–1155?). The empirical material for this research is her extant early 22 ci (1098–1108). The first part of the article briefly discusses the specific features of ci genre, which reached its heyday during the Song dynasty (宋朝, 960–1279). The second part examines the peculiar features of Li Qingzhao’s early ci, which indicate her pushing the limits of writing traditional Chinese poetry. These features are 1) modification of the classical themes and images; 2) introduction of love and erotic ci from a female perspective; 3) experiments with the composition of ci and their rhythmic and melodic structure. She introduced the lyric element into conventional ci, composing the poems with strong personal engagement. Her genre innovations lie in overcoming the limits and conventions of the genre, legitimating the Self of a poet in her distinctive personal style – Yi’an style.
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spelling doaj.art-b652f92c2974451a8974864c125de1b12022-12-22T00:34:20ZengVilnius UniversityRespectus Philologicus1392-82952335-23882022-04-0141 (46)10.15388/RESPECTUS.2022.41.46.113The Genesis of Yi’an Style (易安體) in Medieval Chinese PoetryHanna Dashchenko0Oles' Honchar Dnipro National University, Ukraine This article deals with the genesis of Yi’an style (易安體), the poetic style of the outstanding Chinese female poet of the Song dynasty Li Qingzhao (李清照, 1084–1155?). The empirical material for this research is her extant early 22 ci (1098–1108). The first part of the article briefly discusses the specific features of ci genre, which reached its heyday during the Song dynasty (宋朝, 960–1279). The second part examines the peculiar features of Li Qingzhao’s early ci, which indicate her pushing the limits of writing traditional Chinese poetry. These features are 1) modification of the classical themes and images; 2) introduction of love and erotic ci from a female perspective; 3) experiments with the composition of ci and their rhythmic and melodic structure. She introduced the lyric element into conventional ci, composing the poems with strong personal engagement. Her genre innovations lie in overcoming the limits and conventions of the genre, legitimating the Self of a poet in her distinctive personal style – Yi’an style. https://www.journals.vu.lt/respectus-philologicus/article/view/24674Li Qingzhaoci genrethemeimagesfeelings
spellingShingle Hanna Dashchenko
The Genesis of Yi’an Style (易安體) in Medieval Chinese Poetry
Respectus Philologicus
Li Qingzhao
ci genre
theme
images
feelings
title The Genesis of Yi’an Style (易安體) in Medieval Chinese Poetry
title_full The Genesis of Yi’an Style (易安體) in Medieval Chinese Poetry
title_fullStr The Genesis of Yi’an Style (易安體) in Medieval Chinese Poetry
title_full_unstemmed The Genesis of Yi’an Style (易安體) in Medieval Chinese Poetry
title_short The Genesis of Yi’an Style (易安體) in Medieval Chinese Poetry
title_sort genesis of yi an style 易安體 in medieval chinese poetry
topic Li Qingzhao
ci genre
theme
images
feelings
url https://www.journals.vu.lt/respectus-philologicus/article/view/24674
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