Mythe et dramaturgie dans l’Héraclès d’Euripide
This paper focuses on the links between the dramatic construction of Euripides’ Heracles and the three mythological innovations ascribed to the poet: the introduction of the usurper Lycus, the postponement of Heracles’ murders until after the completion of his labours and Theseus’ intervention. Thes...
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Format: | Article |
Language: | fra |
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Presses universitaires du Midi
2019-12-01
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Series: | Pallas |
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Online Access: | http://journals.openedition.org/pallas/16361 |
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author | Rocco Marseglia |
author_facet | Rocco Marseglia |
author_sort | Rocco Marseglia |
collection | DOAJ |
description | This paper focuses on the links between the dramatic construction of Euripides’ Heracles and the three mythological innovations ascribed to the poet: the introduction of the usurper Lycus, the postponement of Heracles’ murders until after the completion of his labours and Theseus’ intervention. These three moments of the mythical action find their own coherence in the dramatic construction of the play, based on the duality of a character who is able at the same time to perform the greatest deeds and to commit a terrible crime. |
first_indexed | 2024-04-10T16:17:19Z |
format | Article |
id | doaj.art-b65f560200fc4d01a96521f748a26736 |
institution | Directory Open Access Journal |
issn | 0031-0387 2272-7639 |
language | fra |
last_indexed | 2024-04-10T16:17:19Z |
publishDate | 2019-12-01 |
publisher | Presses universitaires du Midi |
record_format | Article |
series | Pallas |
spelling | doaj.art-b65f560200fc4d01a96521f748a267362023-02-09T16:30:18ZfraPresses universitaires du MidiPallas0031-03872272-76392019-12-01109173110.4000/pallas.16361Mythe et dramaturgie dans l’Héraclès d’EuripideRocco MarsegliaThis paper focuses on the links between the dramatic construction of Euripides’ Heracles and the three mythological innovations ascribed to the poet: the introduction of the usurper Lycus, the postponement of Heracles’ murders until after the completion of his labours and Theseus’ intervention. These three moments of the mythical action find their own coherence in the dramatic construction of the play, based on the duality of a character who is able at the same time to perform the greatest deeds and to commit a terrible crime.http://journals.openedition.org/pallas/16361EuripidesHeraclesdramaturgymyth |
spellingShingle | Rocco Marseglia Mythe et dramaturgie dans l’Héraclès d’Euripide Pallas Euripides Heracles dramaturgy myth |
title | Mythe et dramaturgie dans l’Héraclès d’Euripide |
title_full | Mythe et dramaturgie dans l’Héraclès d’Euripide |
title_fullStr | Mythe et dramaturgie dans l’Héraclès d’Euripide |
title_full_unstemmed | Mythe et dramaturgie dans l’Héraclès d’Euripide |
title_short | Mythe et dramaturgie dans l’Héraclès d’Euripide |
title_sort | mythe et dramaturgie dans l heracles d euripide |
topic | Euripides Heracles dramaturgy myth |
url | http://journals.openedition.org/pallas/16361 |
work_keys_str_mv | AT roccomarseglia mytheetdramaturgiedanslheraclesdeuripide |