The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries)
The 18th century and the beginning of the 19th century mark the emergence, development and affirmation of the piano as a complex instrument that shall take, in turns, the role of soloist instrument, claiming and being able to reach the sound variety of the orchestra, that of partner in chamber music...
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Format: | Article |
Language: | English |
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Sciendo
2019-03-01
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Series: | Review of Artistic Education |
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Online Access: | https://doi.org/10.2478/rae-2019-0010 |
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author | Tudor Brînduşa |
author_facet | Tudor Brînduşa |
author_sort | Tudor Brînduşa |
collection | DOAJ |
description | The 18th century and the beginning of the 19th century mark the emergence, development and affirmation of the piano as a complex instrument that shall take, in turns, the role of soloist instrument, claiming and being able to reach the sound variety of the orchestra, that of partner in chamber music assemblies or that of orchestra member. The emergence, improvement and qualitative performance acquisition adventure of the piano represents a fascinating history about human creativity and ingenuity serving art, beauty, sound expressivity refinement and improvement. |
first_indexed | 2024-12-17T12:04:22Z |
format | Article |
id | doaj.art-b679643f0cc841dcad8b8c0e80060660 |
institution | Directory Open Access Journal |
issn | 2501-238X |
language | English |
last_indexed | 2024-12-17T12:04:22Z |
publishDate | 2019-03-01 |
publisher | Sciendo |
record_format | Article |
series | Review of Artistic Education |
spelling | doaj.art-b679643f0cc841dcad8b8c0e800606602022-12-21T21:49:42ZengSciendoReview of Artistic Education2501-238X2019-03-0117110010510.2478/rae-2019-0010rae-2019-0010The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries)Tudor Brînduşa0Lecturer PhD., “George Enescu” National University of Arts from Iaşi, RomaniaThe 18th century and the beginning of the 19th century mark the emergence, development and affirmation of the piano as a complex instrument that shall take, in turns, the role of soloist instrument, claiming and being able to reach the sound variety of the orchestra, that of partner in chamber music assemblies or that of orchestra member. The emergence, improvement and qualitative performance acquisition adventure of the piano represents a fascinating history about human creativity and ingenuity serving art, beauty, sound expressivity refinement and improvement.https://doi.org/10.2478/rae-2019-0010piano18th century19th centurypiano emergencepiano improvement |
spellingShingle | Tudor Brînduşa The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries) Review of Artistic Education piano 18th century 19th century piano emergence piano improvement |
title | The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries) |
title_full | The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries) |
title_fullStr | The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries) |
title_full_unstemmed | The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries) |
title_short | The Piano, A Perfect Musical Instrument – Beginnings and Evolution (18th – 19th Centuries) |
title_sort | piano a perfect musical instrument beginnings and evolution 18th 19th centuries |
topic | piano 18th century 19th century piano emergence piano improvement |
url | https://doi.org/10.2478/rae-2019-0010 |
work_keys_str_mv | AT tudorbrindusa thepianoaperfectmusicalinstrumentbeginningsandevolution18th19thcenturies AT tudorbrindusa pianoaperfectmusicalinstrumentbeginningsandevolution18th19thcenturies |