Mobilités et précarités : Lorenzo Da Ponte dans le monde de l’opéra (1779-1830)

This article examines the relationship between geographical and social mobility in the erratic career of Lorenzo Da Ponte and the opera milieu of the 18th Century. It stresses the role of patronage on the attraction and circulation of authors and composers as well as exploring the existence of more...

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Main Author: David Do Paço
Format: Article
Language:English
Published: Presses Universitaires du Midi 2015-12-01
Series:Diasporas: Circulations, Migrations, Histoire
Online Access:https://journals.openedition.org/diasporas/412
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author David Do Paço
author_facet David Do Paço
author_sort David Do Paço
collection DOAJ
description This article examines the relationship between geographical and social mobility in the erratic career of Lorenzo Da Ponte and the opera milieu of the 18th Century. It stresses the role of patronage on the attraction and circulation of authors and composers as well as exploring the existence of more or less institutionalised corporatist forms of solidarity responsible for regulating a market of word and music. Although a certain and necessary degree of complementarity, if not interdependence, can be seen amongst the authors, composers and actors, their mobility patterns differ as do the dynamics driving their various careers. Precarious conditions and employment thus generated a search for security which often entailed a change of social and professional status. In this way, mobility was neither circulatory nor necessarily positive; on the contrary it often highlighted precarious economic and social circumstances.
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spelling doaj.art-b6df54fa58e748128682f03a0137c1912024-02-13T13:35:57ZengPresses Universitaires du MidiDiasporas: Circulations, Migrations, Histoire1637-58232431-14722015-12-012611513210.4000/diasporas.412Mobilités et précarités : Lorenzo Da Ponte dans le monde de l’opéra (1779-1830)David Do PaçoThis article examines the relationship between geographical and social mobility in the erratic career of Lorenzo Da Ponte and the opera milieu of the 18th Century. It stresses the role of patronage on the attraction and circulation of authors and composers as well as exploring the existence of more or less institutionalised corporatist forms of solidarity responsible for regulating a market of word and music. Although a certain and necessary degree of complementarity, if not interdependence, can be seen amongst the authors, composers and actors, their mobility patterns differ as do the dynamics driving their various careers. Precarious conditions and employment thus generated a search for security which often entailed a change of social and professional status. In this way, mobility was neither circulatory nor necessarily positive; on the contrary it often highlighted precarious economic and social circumstances.https://journals.openedition.org/diasporas/412
spellingShingle David Do Paço
Mobilités et précarités : Lorenzo Da Ponte dans le monde de l’opéra (1779-1830)
Diasporas: Circulations, Migrations, Histoire
title Mobilités et précarités : Lorenzo Da Ponte dans le monde de l’opéra (1779-1830)
title_full Mobilités et précarités : Lorenzo Da Ponte dans le monde de l’opéra (1779-1830)
title_fullStr Mobilités et précarités : Lorenzo Da Ponte dans le monde de l’opéra (1779-1830)
title_full_unstemmed Mobilités et précarités : Lorenzo Da Ponte dans le monde de l’opéra (1779-1830)
title_short Mobilités et précarités : Lorenzo Da Ponte dans le monde de l’opéra (1779-1830)
title_sort mobilites et precarites lorenzo da ponte dans le monde de l opera 1779 1830
url https://journals.openedition.org/diasporas/412
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