Murales et rayados de Valparaíso : entre institutionnalisation et vandalisme

The harbour Valparaíso city shelters an intense graffiti’s activity : it became a major nerve center of the Chilean graffiti. The diversity of the urban inscriptions sends back to different relationships with the authority, and the wall / rayado cleavage crystallizes the political and media debate a...

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Main Author: Elsa Bouvier
Format: Article
Language:English
Published: UMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)
Series:Les Cahiers de Framespa
Subjects:
Online Access:https://journals.openedition.org/framespa/3808
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author Elsa Bouvier
author_facet Elsa Bouvier
author_sort Elsa Bouvier
collection DOAJ
description The harbour Valparaíso city shelters an intense graffiti’s activity : it became a major nerve center of the Chilean graffiti. The diversity of the urban inscriptions sends back to different relationships with the authority, and the wall / rayado cleavage crystallizes the political and media debate around the porteñas’ urban inscriptions. The radical opposition between mural and rayado, widely built by the political speech of the municipality, results from criteria of acceptance of the urban inscriptions on behalf of this institution, but also of its conception of the public place and its patrimonial and cultural urban public politics. In front of social control exercised by the municipality and its institutions, the practices and the postures of the graffiti artists join a tension between legality and illegality, between vandalism, contesting and institutionalization, artification, patrimonialisation.
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spelling doaj.art-b6f916c7f5034328868edcd793cf9f2f2024-02-15T12:46:37ZengUMR 5136- France, Amériques, Espagne – Sociétés, Pouvoirs, Acteurs (FRAMESPA)Les Cahiers de Framespa1760-47612110.4000/framespa.3808Murales et rayados de Valparaíso : entre institutionnalisation et vandalismeElsa BouvierThe harbour Valparaíso city shelters an intense graffiti’s activity : it became a major nerve center of the Chilean graffiti. The diversity of the urban inscriptions sends back to different relationships with the authority, and the wall / rayado cleavage crystallizes the political and media debate around the porteñas’ urban inscriptions. The radical opposition between mural and rayado, widely built by the political speech of the municipality, results from criteria of acceptance of the urban inscriptions on behalf of this institution, but also of its conception of the public place and its patrimonial and cultural urban public politics. In front of social control exercised by the municipality and its institutions, the practices and the postures of the graffiti artists join a tension between legality and illegality, between vandalism, contesting and institutionalization, artification, patrimonialisation.https://journals.openedition.org/framespa/3808rayadomuralpatrimonializationsocial controlpolitical vandalism
spellingShingle Elsa Bouvier
Murales et rayados de Valparaíso : entre institutionnalisation et vandalisme
Les Cahiers de Framespa
rayado
mural
patrimonialization
social control
political vandalism
title Murales et rayados de Valparaíso : entre institutionnalisation et vandalisme
title_full Murales et rayados de Valparaíso : entre institutionnalisation et vandalisme
title_fullStr Murales et rayados de Valparaíso : entre institutionnalisation et vandalisme
title_full_unstemmed Murales et rayados de Valparaíso : entre institutionnalisation et vandalisme
title_short Murales et rayados de Valparaíso : entre institutionnalisation et vandalisme
title_sort murales et rayados de valparaiso entre institutionnalisation et vandalisme
topic rayado
mural
patrimonialization
social control
political vandalism
url https://journals.openedition.org/framespa/3808
work_keys_str_mv AT elsabouvier muralesetrayadosdevalparaisoentreinstitutionnalisationetvandalisme