Performing Ecclesiastes: Text as Script

All biblical scholars are committed to the interpretation of ancient written texts, but Biblical Performance Criticism (BPC) reminds interpreters that performance helps us better understand Scripture. A distinct difference between Narrative Criticism and Performance Criticism is the broader applicat...

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Main Author: Jeanette Mathews
Format: Article
Language:English
Published: MDPI AG 2023-10-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/14/10/1269
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author Jeanette Mathews
author_facet Jeanette Mathews
author_sort Jeanette Mathews
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description All biblical scholars are committed to the interpretation of ancient written texts, but Biblical Performance Criticism (BPC) reminds interpreters that performance helps us better understand Scripture. A distinct difference between Narrative Criticism and Performance Criticism is the broader application of Performance Criticism to poetic and prose texts that are not grounded in narrative. The ambiguity of prose and poetry that does not readily identify speakers is open to a range of performative interpretations. Furthermore, audiences are necessary for performance and contribute to meaning-making. The embodied experience of performers and audience alike contribute to the interpretation of biblical texts. This article reflects on a performance of Ecclesiastes translated as a script of a television talk show, claiming that embodying and performing Scripture is itself a method for interpretation. Through the performance of Scripture, we are reminded that interpretation is shared and dynamic within the community of faith.
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spelling doaj.art-b7e97fc15a1948e3b866a9b41f8fc7b82023-11-19T17:56:59ZengMDPI AGReligions2077-14442023-10-011410126910.3390/rel14101269Performing Ecclesiastes: Text as ScriptJeanette Mathews0School of Theology, Charles Sturt University, Canberra, ACT 2600, AustraliaAll biblical scholars are committed to the interpretation of ancient written texts, but Biblical Performance Criticism (BPC) reminds interpreters that performance helps us better understand Scripture. A distinct difference between Narrative Criticism and Performance Criticism is the broader application of Performance Criticism to poetic and prose texts that are not grounded in narrative. The ambiguity of prose and poetry that does not readily identify speakers is open to a range of performative interpretations. Furthermore, audiences are necessary for performance and contribute to meaning-making. The embodied experience of performers and audience alike contribute to the interpretation of biblical texts. This article reflects on a performance of Ecclesiastes translated as a script of a television talk show, claiming that embodying and performing Scripture is itself a method for interpretation. Through the performance of Scripture, we are reminded that interpretation is shared and dynamic within the community of faith.https://www.mdpi.com/2077-1444/14/10/1269Biblical Performance CriticismperformanceEcclesiastesQoheletembodimenttranslation
spellingShingle Jeanette Mathews
Performing Ecclesiastes: Text as Script
Religions
Biblical Performance Criticism
performance
Ecclesiastes
Qohelet
embodiment
translation
title Performing Ecclesiastes: Text as Script
title_full Performing Ecclesiastes: Text as Script
title_fullStr Performing Ecclesiastes: Text as Script
title_full_unstemmed Performing Ecclesiastes: Text as Script
title_short Performing Ecclesiastes: Text as Script
title_sort performing ecclesiastes text as script
topic Biblical Performance Criticism
performance
Ecclesiastes
Qohelet
embodiment
translation
url https://www.mdpi.com/2077-1444/14/10/1269
work_keys_str_mv AT jeanettemathews performingecclesiastestextasscript