Nusantara Interaction The Case of Joget as a Trans-Cultural Entertainment

The focus of discussion in this paper is joget as a dance which embodies the concept of Nusantara (Indonesian archipelago), which has undergone much development from the past to the present. Beginning as an entertaining social dance in various Southeast Asian countries, joget became a customary form...

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Main Author: Julianti Parani
Format: Article
Language:English
Published: Faculty of Humanities, Universitas Indonesia 2017-12-01
Series:Paradigma: Jurnal Kajian Budaya
Subjects:
Online Access:https://scholarhub.ui.ac.id/paradigma/vol8/iss1/1/
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author Julianti Parani
author_facet Julianti Parani
author_sort Julianti Parani
collection DOAJ
description The focus of discussion in this paper is joget as a dance which embodies the concept of Nusantara (Indonesian archipelago), which has undergone much development from the past to the present. Beginning as an entertaining social dance in various Southeast Asian countries, joget became a customary form of entertainment in the whole context of Nusantara as a region. Surprisingly, it has also inspired new genres and types of traditional dances for centuries. Around 1920s to 1930s, it was the most popular form of dance in many halls of entertainment in Indonesia, Singapore, and the Malay Peninsula. Joget was the most common type of social dance. It has an indigenous origin, but gained popularity in urban setting at the time when ballroom and Latin-American dances were not yet popular.
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spelling doaj.art-b7e9f5afffae460dba570e9ec0b22f462023-07-25T07:29:53ZengFaculty of Humanities, Universitas IndonesiaParadigma: Jurnal Kajian Budaya2503-08682087-60172017-12-0181110https://doi.org/10.17510/paradigma.v8i1.217Nusantara Interaction The Case of Joget as a Trans-Cultural EntertainmentJulianti Parani0Performing Arts Faculty, Jakarta Institute of Arts The focus of discussion in this paper is joget as a dance which embodies the concept of Nusantara (Indonesian archipelago), which has undergone much development from the past to the present. Beginning as an entertaining social dance in various Southeast Asian countries, joget became a customary form of entertainment in the whole context of Nusantara as a region. Surprisingly, it has also inspired new genres and types of traditional dances for centuries. Around 1920s to 1930s, it was the most popular form of dance in many halls of entertainment in Indonesia, Singapore, and the Malay Peninsula. Joget was the most common type of social dance. It has an indigenous origin, but gained popularity in urban setting at the time when ballroom and Latin-American dances were not yet popular.https://scholarhub.ui.ac.id/paradigma/vol8/iss1/1/danceintercultural nusantarasoutheast asiamalay entertainmentconnectivity
spellingShingle Julianti Parani
Nusantara Interaction The Case of Joget as a Trans-Cultural Entertainment
Paradigma: Jurnal Kajian Budaya
dance
intercultural nusantara
southeast asia
malay entertainment
connectivity
title Nusantara Interaction The Case of Joget as a Trans-Cultural Entertainment
title_full Nusantara Interaction The Case of Joget as a Trans-Cultural Entertainment
title_fullStr Nusantara Interaction The Case of Joget as a Trans-Cultural Entertainment
title_full_unstemmed Nusantara Interaction The Case of Joget as a Trans-Cultural Entertainment
title_short Nusantara Interaction The Case of Joget as a Trans-Cultural Entertainment
title_sort nusantara interaction the case of joget as a trans cultural entertainment
topic dance
intercultural nusantara
southeast asia
malay entertainment
connectivity
url https://scholarhub.ui.ac.id/paradigma/vol8/iss1/1/
work_keys_str_mv AT juliantiparani nusantarainteractionthecaseofjogetasatransculturalentertainment