Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin

The paper both connects and disassociates the work of Walter Benjamin and Aby Warburg. There are two interrelated undertakings. The first involves the relationship between philosophy and art history and thus how art history figures within the philosophical. The second pertains to the status of the i...

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Main Author: Andrew Benjamin
Format: Article
Language:English
Published: Firenze University Press 2017-07-01
Series:Aisthesis
Subjects:
Online Access:https://oajournals.fupress.net/index.php/aisthesis/article/view/914
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author Andrew Benjamin
author_facet Andrew Benjamin
author_sort Andrew Benjamin
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description The paper both connects and disassociates the work of Walter Benjamin and Aby Warburg. There are two interrelated undertakings. The first involves the relationship between philosophy and art history and thus how art history figures within the philosophical. The second pertains to the status of the image. Part of the argument to be advanced is that an engagement with philosophical approach to art history yields a concern with the image in which it is the image's material presence that proves decisive. Indeed, it is by insisting on the object's materiality that it then becomes possible to locate the effective presence of the gesture as integral to the work of art. The contention is that gesture is the intersection of art's material presence and the concerns of meaning. The paper us develop via an engagement with works by Edgar Degas and Luca Signorelli.
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spelling doaj.art-b819bdca957a4a22adc9d2b501c81e402022-12-21T23:16:15ZengFirenze University PressAisthesis2035-84662017-07-01101Two Forms of Gesture: Notes on Aby Warburg and Walter BenjaminAndrew Benjamin0Monash UniversityThe paper both connects and disassociates the work of Walter Benjamin and Aby Warburg. There are two interrelated undertakings. The first involves the relationship between philosophy and art history and thus how art history figures within the philosophical. The second pertains to the status of the image. Part of the argument to be advanced is that an engagement with philosophical approach to art history yields a concern with the image in which it is the image's material presence that proves decisive. Indeed, it is by insisting on the object's materiality that it then becomes possible to locate the effective presence of the gesture as integral to the work of art. The contention is that gesture is the intersection of art's material presence and the concerns of meaning. The paper us develop via an engagement with works by Edgar Degas and Luca Signorelli.https://oajournals.fupress.net/index.php/aisthesis/article/view/914Aby WarburgWalter BenjaminEdgar DegasLuca Signorelli
spellingShingle Andrew Benjamin
Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin
Aisthesis
Aby Warburg
Walter Benjamin
Edgar Degas
Luca Signorelli
title Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin
title_full Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin
title_fullStr Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin
title_full_unstemmed Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin
title_short Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin
title_sort two forms of gesture notes on aby warburg and walter benjamin
topic Aby Warburg
Walter Benjamin
Edgar Degas
Luca Signorelli
url https://oajournals.fupress.net/index.php/aisthesis/article/view/914
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