Griselda Gambaro y el teatro de la crueldad artaudiano: un lugar crítico revisitado
This paper reviews the most significant critical references that, since the 70’s, are referring to the possible influences or relations of resemblance be- tween Artaud’s Theater of Cruelty and Griselda Gambaro’s dramatic ideas in her neo-avantgarde theater. Starting from this review and from the re-...
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Format: | Article |
Language: | Spanish |
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Editorial Universidad de Sevilla
2012-11-01
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Series: | Philologia Hispalensis |
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Online Access: | https://revistascientificas.us.es/index.php/PH/article/view/1470 |
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author | Ana Sánchez Acevedo |
author_facet | Ana Sánchez Acevedo |
author_sort | Ana Sánchez Acevedo |
collection | DOAJ |
description | This paper reviews the most significant critical references that, since the 70’s, are referring to the possible influences or relations of resemblance be- tween Artaud’s Theater of Cruelty and Griselda Gambaro’s dramatic ideas in her neo-avantgarde theater. Starting from this review and from the re-read- ing and contextualization of the ideas collected by Artaud in The Theatre and Its Double, the specific scope of this critical issue is analyzed and discussed. |
first_indexed | 2024-04-13T04:33:28Z |
format | Article |
id | doaj.art-b8653890dcc64534a851ae8eaf94706f |
institution | Directory Open Access Journal |
issn | 1132-0265 2253-8321 |
language | Spanish |
last_indexed | 2024-04-13T04:33:28Z |
publishDate | 2012-11-01 |
publisher | Editorial Universidad de Sevilla |
record_format | Article |
series | Philologia Hispalensis |
spelling | doaj.art-b8653890dcc64534a851ae8eaf94706f2022-12-22T03:02:14ZspaEditorial Universidad de SevillaPhilologia Hispalensis1132-02652253-83212012-11-0126210.12795/PH.2012.v26.i02.051395Griselda Gambaro y el teatro de la crueldad artaudiano: un lugar crítico revisitadoAna Sánchez AcevedoThis paper reviews the most significant critical references that, since the 70’s, are referring to the possible influences or relations of resemblance be- tween Artaud’s Theater of Cruelty and Griselda Gambaro’s dramatic ideas in her neo-avantgarde theater. Starting from this review and from the re-read- ing and contextualization of the ideas collected by Artaud in The Theatre and Its Double, the specific scope of this critical issue is analyzed and discussed.https://revistascientificas.us.es/index.php/PH/article/view/1470griselda gambaro, antonin artaud, teatro de la crueldad, teatro latinoamericano, teatro del absurdo |
spellingShingle | Ana Sánchez Acevedo Griselda Gambaro y el teatro de la crueldad artaudiano: un lugar crítico revisitado Philologia Hispalensis griselda gambaro, antonin artaud, teatro de la crueldad, teatro latinoamericano, teatro del absurdo |
title | Griselda Gambaro y el teatro de la crueldad artaudiano: un lugar crítico revisitado |
title_full | Griselda Gambaro y el teatro de la crueldad artaudiano: un lugar crítico revisitado |
title_fullStr | Griselda Gambaro y el teatro de la crueldad artaudiano: un lugar crítico revisitado |
title_full_unstemmed | Griselda Gambaro y el teatro de la crueldad artaudiano: un lugar crítico revisitado |
title_short | Griselda Gambaro y el teatro de la crueldad artaudiano: un lugar crítico revisitado |
title_sort | griselda gambaro y el teatro de la crueldad artaudiano un lugar critico revisitado |
topic | griselda gambaro, antonin artaud, teatro de la crueldad, teatro latinoamericano, teatro del absurdo |
url | https://revistascientificas.us.es/index.php/PH/article/view/1470 |
work_keys_str_mv | AT anasanchezacevedo griseldagambaroyelteatrodelacrueldadartaudianounlugarcriticorevisitado |