Reconsidering the origins of portraiture: introduction

This introductory essay discusses central issues of European portraiture in the period of its decisive transformation in the later Middle Ages. Starting with the notion of an individual in the Middle Ages it moves on to consider means of pictorial representation of men in the High and later Middle A...

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Main Authors: Mateusz Grzęda, Marek Walczak
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2017-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2017/11/gw-introduction1.pdf
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author Mateusz Grzęda
Marek Walczak
author_facet Mateusz Grzęda
Marek Walczak
author_sort Mateusz Grzęda
collection DOAJ
description This introductory essay discusses central issues of European portraiture in the period of its decisive transformation in the later Middle Ages. Starting with the notion of an individual in the Middle Ages it moves on to consider means of pictorial representation of men in the High and later Middle Ages, and to reflect on portraits’ power to make an absent man present. All these issues are considered based on Central European examples, namely, portraits of Casimir the Great, the king of Poland; those of Charles IV, the holy roman emperor and king of Bohemia, and a celebrated portrait of Rudolph IV, the archduke of Austria, thus stressing their relevance to the development of early modern portraiture.
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spelling doaj.art-b86c5259a1644f7baadacff7e13af7972022-12-22T00:36:51ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522017-12-011717GW1Reconsidering the origins of portraiture: introductionMateusz Grzęda 0Marek Walczak 1Jagiellonian UniversityJagiellonian UniversityThis introductory essay discusses central issues of European portraiture in the period of its decisive transformation in the later Middle Ages. Starting with the notion of an individual in the Middle Ages it moves on to consider means of pictorial representation of men in the High and later Middle Ages, and to reflect on portraits’ power to make an absent man present. All these issues are considered based on Central European examples, namely, portraits of Casimir the Great, the king of Poland; those of Charles IV, the holy roman emperor and king of Bohemia, and a celebrated portrait of Rudolph IV, the archduke of Austria, thus stressing their relevance to the development of early modern portraiture.https://arthistoriography.files.wordpress.com/2017/11/gw-introduction1.pdfportraiturerepresentationindividuallikenessMiddle AgesRenaissanceCentral Europe
spellingShingle Mateusz Grzęda
Marek Walczak
Reconsidering the origins of portraiture: introduction
Journal of Art Historiography
portraiture
representation
individual
likeness
Middle Ages
Renaissance
Central Europe
title Reconsidering the origins of portraiture: introduction
title_full Reconsidering the origins of portraiture: introduction
title_fullStr Reconsidering the origins of portraiture: introduction
title_full_unstemmed Reconsidering the origins of portraiture: introduction
title_short Reconsidering the origins of portraiture: introduction
title_sort reconsidering the origins of portraiture introduction
topic portraiture
representation
individual
likeness
Middle Ages
Renaissance
Central Europe
url https://arthistoriography.files.wordpress.com/2017/11/gw-introduction1.pdf
work_keys_str_mv AT mateuszgrzeda reconsideringtheoriginsofportraitureintroduction
AT marekwalczak reconsideringtheoriginsofportraitureintroduction