The Fall of Virtuous Men: Mexican Film Noir, and the Crisis of Values in the Postrevolutionary State, 1950–1959

International reconsideration of Mexican film noir is a recent phenomenon. For decades, Mexican film criticism tended to dismiss the importance of this tradition and even to deny its existence, often citing the presence of melodramatic elements in would-be noir films and the lack of a crime novel tr...

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Main Author: Daniel Chávez Landeros
Format: Article
Language:English
Published: Cambridge University Press 2023-12-01
Series:Latin American Research Review
Subjects:
Online Access:https://www.cambridge.org/core/product/identifier/S1542427823000111/type/journal_article
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author Daniel Chávez Landeros
author_facet Daniel Chávez Landeros
author_sort Daniel Chávez Landeros
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description International reconsideration of Mexican film noir is a recent phenomenon. For decades, Mexican film criticism tended to dismiss the importance of this tradition and even to deny its existence, often citing the presence of melodramatic elements in would-be noir films and the lack of a crime novel tradition for screen adaptations. By comparing two Mexican films to similar American productions and examining the local political and economic conditions of the former, this article argues that Mexican film noir had its own pessimistic viewpoints, which were borrowed from journalism and the illustrated press. These viewpoints were based on existing social ailments and delivered relevant criticism of the institutions, classism, and sexual norms of the postrevolutionary Mexican state of the 1940s and 1950s.
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spelling doaj.art-b896c616f8d448b4afcaf78eed6e0b6a2023-12-04T13:13:24ZengCambridge University PressLatin American Research Review1542-42782023-12-015879781610.1017/lar.2023.11The Fall of Virtuous Men: Mexican Film Noir, and the Crisis of Values in the Postrevolutionary State, 1950–1959Daniel Chávez Landeros0https://orcid.org/0000-0003-0378-2573University of New Hampshire, Department of Languages, Literatures and Cultures, Durham, New Hampshire, USAInternational reconsideration of Mexican film noir is a recent phenomenon. For decades, Mexican film criticism tended to dismiss the importance of this tradition and even to deny its existence, often citing the presence of melodramatic elements in would-be noir films and the lack of a crime novel tradition for screen adaptations. By comparing two Mexican films to similar American productions and examining the local political and economic conditions of the former, this article argues that Mexican film noir had its own pessimistic viewpoints, which were borrowed from journalism and the illustrated press. These viewpoints were based on existing social ailments and delivered relevant criticism of the institutions, classism, and sexual norms of the postrevolutionary Mexican state of the 1940s and 1950s.https://www.cambridge.org/core/product/identifier/S1542427823000111/type/journal_articleMexican cinemafilm noirgovernmental corruptionjustice systemsexual violencefilme mexicanofilme noircorrupçãosistema judiciárioviolência sexual
spellingShingle Daniel Chávez Landeros
The Fall of Virtuous Men: Mexican Film Noir, and the Crisis of Values in the Postrevolutionary State, 1950–1959
Latin American Research Review
Mexican cinema
film noir
governmental corruption
justice system
sexual violence
filme mexicano
filme noir
corrupção
sistema judiciário
violência sexual
title The Fall of Virtuous Men: Mexican Film Noir, and the Crisis of Values in the Postrevolutionary State, 1950–1959
title_full The Fall of Virtuous Men: Mexican Film Noir, and the Crisis of Values in the Postrevolutionary State, 1950–1959
title_fullStr The Fall of Virtuous Men: Mexican Film Noir, and the Crisis of Values in the Postrevolutionary State, 1950–1959
title_full_unstemmed The Fall of Virtuous Men: Mexican Film Noir, and the Crisis of Values in the Postrevolutionary State, 1950–1959
title_short The Fall of Virtuous Men: Mexican Film Noir, and the Crisis of Values in the Postrevolutionary State, 1950–1959
title_sort fall of virtuous men mexican film noir and the crisis of values in the postrevolutionary state 1950 1959
topic Mexican cinema
film noir
governmental corruption
justice system
sexual violence
filme mexicano
filme noir
corrupção
sistema judiciário
violência sexual
url https://www.cambridge.org/core/product/identifier/S1542427823000111/type/journal_article
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