Familiar, retórica, cortesana: disfraces de la carta en los tratados epistolares renacentistas

The purpose of this article is to explore the three main theoretical points of view about the letter (clearly differentiated, although not necessarily one against the other) that appear in Renaissance treatises. In a first type of manuals, the letter is seen like a familiar text, near the common lan...

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Main Author: Pedro Martín Baños
Format: Article
Language:Spanish
Published: Universidad Complutense de Madrid 2006-02-01
Series:Cuadernos de Historia Moderna
Subjects:
Online Access:https://revistas.ucm.es/index.php/CHMO/article/view/23251
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author Pedro Martín Baños
author_facet Pedro Martín Baños
author_sort Pedro Martín Baños
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description The purpose of this article is to explore the three main theoretical points of view about the letter (clearly differentiated, although not necessarily one against the other) that appear in Renaissance treatises. In a first type of manuals, the letter is seen like a familiar text, near the common language and equated to a carefree and spontaneous conversation between friends. In the opposed pole, the letter can be also understood like a rhetorical, skillful document, composed in agreement with the same norms that govern the composition of the oratio or oral speech. Besides these two ideas of the epistle, familiar and rhetoric, both born in neo-latin humanism, a new conception arises in the second half of 16th century, in the context of an abundant corpus of letter formularies and manuals for secretaries written in the vernacular tongues: the conception that considers the epistle like the expression of the courtly or courteous society and spirit.
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spelling doaj.art-b8fe11c1e2cf438a85c7d51f73942a1b2023-03-03T08:33:03ZspaUniversidad Complutense de MadridCuadernos de Historia Moderna0214-40181988-24752006-02-0123240Familiar, retórica, cortesana: disfraces de la carta en los tratados epistolares renacentistasPedro Martín BañosThe purpose of this article is to explore the three main theoretical points of view about the letter (clearly differentiated, although not necessarily one against the other) that appear in Renaissance treatises. In a first type of manuals, the letter is seen like a familiar text, near the common language and equated to a carefree and spontaneous conversation between friends. In the opposed pole, the letter can be also understood like a rhetorical, skillful document, composed in agreement with the same norms that govern the composition of the oratio or oral speech. Besides these two ideas of the epistle, familiar and rhetoric, both born in neo-latin humanism, a new conception arises in the second half of 16th century, in the context of an abundant corpus of letter formularies and manuals for secretaries written in the vernacular tongues: the conception that considers the epistle like the expression of the courtly or courteous society and spirit.https://revistas.ucm.es/index.php/CHMO/article/view/23251RenaissanceBaroqueLiterary CriticismWritten CultureRhetoricLetter-Writing
spellingShingle Pedro Martín Baños
Familiar, retórica, cortesana: disfraces de la carta en los tratados epistolares renacentistas
Cuadernos de Historia Moderna
Renaissance
Baroque
Literary Criticism
Written Culture
Rhetoric
Letter-Writing
title Familiar, retórica, cortesana: disfraces de la carta en los tratados epistolares renacentistas
title_full Familiar, retórica, cortesana: disfraces de la carta en los tratados epistolares renacentistas
title_fullStr Familiar, retórica, cortesana: disfraces de la carta en los tratados epistolares renacentistas
title_full_unstemmed Familiar, retórica, cortesana: disfraces de la carta en los tratados epistolares renacentistas
title_short Familiar, retórica, cortesana: disfraces de la carta en los tratados epistolares renacentistas
title_sort familiar retorica cortesana disfraces de la carta en los tratados epistolares renacentistas
topic Renaissance
Baroque
Literary Criticism
Written Culture
Rhetoric
Letter-Writing
url https://revistas.ucm.es/index.php/CHMO/article/view/23251
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