Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth
This paper examines a transcultural dance-theatre focusing on Lady Macbeth, through the lens of eastern Indian Bengali folk-theatre tradition, jatra. The wide range of experimentation with Shakespeare notwithstanding, the idea of an all-female representation is often considered a travesty. Only a fe...
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| Format: | Article |
| Language: | English |
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Lodz University Press
2021-06-01
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| Series: | Multicultural Shakespeare |
| Subjects: | |
| Online Access: | https://czasopisma.uni.lodz.pl/szekspir/article/view/9043 |
| _version_ | 1811251692117688320 |
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| author | Aabrita Dutta Gupta |
| author_facet | Aabrita Dutta Gupta |
| author_sort | Aabrita Dutta Gupta |
| collection | DOAJ |
| description | This paper examines a transcultural dance-theatre focusing on Lady Macbeth, through the lens of eastern Indian Bengali folk-theatre tradition, jatra. The wide range of experimentation with Shakespeare notwithstanding, the idea of an all-female representation is often considered a travesty. Only a few such explorations have earned recognition in contemporary times. One such is the Indian theatre-dance production Crossings: Exploring the facets of Lady Macbeth by Vikram Iyenger, first performed in 2004. Four women representing four facets of Lady Macbeth explore the layered nuances that constitute her through the medium of Indian classical dance and music juxtaposed with Shakespearean dialogues from Macbeth. This paper will argue the possibilities posited by this transgressive re-reading of a major Shakespearean tragedy by concentrating on a possible understanding through a Hindu religious sect —Vaishnavism, as embodied through the medium of jatra. To form a radically new stage narrative in order to bring into focus the dilemma and claustrophobia of Lady Macbeth is perhaps the beginning of a new generation of Shakespeare explorations. Iyenger’s production not only dramatizes the tragedy of Lady Macbeth through folk dramatic tradition, dance and music, but also Indianises it with associations drawn from Indian mythological women like Putana (demoness) and Shakti (sacred feminine). |
| first_indexed | 2024-04-12T16:23:03Z |
| format | Article |
| id | doaj.art-b9929982376749a9af0047be4b02c4b0 |
| institution | Directory Open Access Journal |
| issn | 2300-7605 |
| language | English |
| last_indexed | 2024-04-12T16:23:03Z |
| publishDate | 2021-06-01 |
| publisher | Lodz University Press |
| record_format | Article |
| series | Multicultural Shakespeare |
| spelling | doaj.art-b9929982376749a9af0047be4b02c4b02022-12-22T03:25:29ZengLodz University PressMulticultural Shakespeare2300-76052021-06-0123389110810.18778/2083-8530.23.068935Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady MacbethAabrita Dutta Gupta0https://orcid.org/0000-0001-5808-3206Bankura University, Department of English, Bankura, West Bengal, IndiaThis paper examines a transcultural dance-theatre focusing on Lady Macbeth, through the lens of eastern Indian Bengali folk-theatre tradition, jatra. The wide range of experimentation with Shakespeare notwithstanding, the idea of an all-female representation is often considered a travesty. Only a few such explorations have earned recognition in contemporary times. One such is the Indian theatre-dance production Crossings: Exploring the facets of Lady Macbeth by Vikram Iyenger, first performed in 2004. Four women representing four facets of Lady Macbeth explore the layered nuances that constitute her through the medium of Indian classical dance and music juxtaposed with Shakespearean dialogues from Macbeth. This paper will argue the possibilities posited by this transgressive re-reading of a major Shakespearean tragedy by concentrating on a possible understanding through a Hindu religious sect —Vaishnavism, as embodied through the medium of jatra. To form a radically new stage narrative in order to bring into focus the dilemma and claustrophobia of Lady Macbeth is perhaps the beginning of a new generation of Shakespeare explorations. Iyenger’s production not only dramatizes the tragedy of Lady Macbeth through folk dramatic tradition, dance and music, but also Indianises it with associations drawn from Indian mythological women like Putana (demoness) and Shakti (sacred feminine).https://czasopisma.uni.lodz.pl/szekspir/article/view/9043jatralady macbethvaishnavismshakespeare adaptationscrossings by vikram iyenger |
| spellingShingle | Aabrita Dutta Gupta Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth Multicultural Shakespeare jatra lady macbeth vaishnavism shakespeare adaptations crossings by vikram iyenger |
| title | Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth |
| title_full | Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth |
| title_fullStr | Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth |
| title_full_unstemmed | Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth |
| title_short | Crossings with Jatra: Bengali Folk-theatre Elements in a Transcultural Representation of Lady Macbeth |
| title_sort | crossings with jatra bengali folk theatre elements in a transcultural representation of lady macbeth |
| topic | jatra lady macbeth vaishnavism shakespeare adaptations crossings by vikram iyenger |
| url | https://czasopisma.uni.lodz.pl/szekspir/article/view/9043 |
| work_keys_str_mv | AT aabritaduttagupta crossingswithjatrabengalifolktheatreelementsinatransculturalrepresentationofladymacbeth |