La mediazione critica nell’era della disintermediazione
What could happen to theatre criticism in the era of disintermediation? Theatre appears obsolete, old fashioned, and elitist. Critical attitude seems uncool in a mediasphere ruled by images and emotional responses. On the other hand, critical activity on the web is quite intense and widespread, and...
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| Format: | Article |
| Language: | English |
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Milano University Press
2019-04-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/11487 |
| _version_ | 1797719942325338112 |
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| author | Oliviero Ponte di Pino |
| author_facet | Oliviero Ponte di Pino |
| author_sort | Oliviero Ponte di Pino |
| collection | DOAJ |
| description | What could happen to theatre criticism in the era of disintermediation? Theatre appears obsolete, old fashioned, and elitist. Critical attitude seems uncool in a mediasphere ruled by images and emotional responses. On the other hand, critical activity on the web is quite intense and widespread, and the community of actors and audience could give us a useful insight into the visualisation processes we are experiencing. The critic, more than a consumer, becomes a witness of the creative process and of the theatrical event. |
| first_indexed | 2024-03-12T09:13:10Z |
| format | Article |
| id | doaj.art-b9d765c0ebb14016bf468627b51aeb63 |
| institution | Directory Open Access Journal |
| issn | 2039-9251 |
| language | English |
| last_indexed | 2024-03-12T09:13:10Z |
| publishDate | 2019-04-01 |
| publisher | Milano University Press |
| record_format | Article |
| series | Itinera |
| spelling | doaj.art-b9d765c0ebb14016bf468627b51aeb632023-09-02T14:54:13ZengMilano University PressItinera2039-92512019-04-011610.13130/2039-9251/11487La mediazione critica nell’era della disintermediazioneOliviero Ponte di Pino0Università IULM di MilanoWhat could happen to theatre criticism in the era of disintermediation? Theatre appears obsolete, old fashioned, and elitist. Critical attitude seems uncool in a mediasphere ruled by images and emotional responses. On the other hand, critical activity on the web is quite intense and widespread, and the community of actors and audience could give us a useful insight into the visualisation processes we are experiencing. The critic, more than a consumer, becomes a witness of the creative process and of the theatrical event.https://riviste.unimi.it/index.php/itinera/article/view/11487 |
| spellingShingle | Oliviero Ponte di Pino La mediazione critica nell’era della disintermediazione Itinera |
| title | La mediazione critica nell’era della disintermediazione |
| title_full | La mediazione critica nell’era della disintermediazione |
| title_fullStr | La mediazione critica nell’era della disintermediazione |
| title_full_unstemmed | La mediazione critica nell’era della disintermediazione |
| title_short | La mediazione critica nell’era della disintermediazione |
| title_sort | la mediazione critica nell era della disintermediazione |
| url | https://riviste.unimi.it/index.php/itinera/article/view/11487 |
| work_keys_str_mv | AT olivieropontedipino lamediazionecriticanelleradelladisintermediazione |