EKRANISASI UNSUR NARATIF DALAM FILM LIFE OF PI

Every year, films adapted from novels have developed significantly. However, there are many differences from their novels when the films screened, such as the reduction and addition of the storyline and characters, and also some variations.The creativity of the films toward their novels is because o...

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Bibliographic Details
Main Authors: Bertha Galuh Andini, Sapto Hudoyo
Format: Article
Language:English
Published: Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Surakarta 2016-10-01
Series:Capture
Online Access:https://jurnal.isi-ska.ac.id/index.php/capture/article/view/1693
Description
Summary:Every year, films adapted from novels have developed significantly. However, there are many differences from their novels when the films screened, such as the reduction and addition of the storyline and characters, and also some variations.The creativity of the films toward their novels is because of the audio-visual medium,while novel caused by linguistic medium.Thus,there are certain plots that can be raised well in the novel, but cannot appear in the film, or vice versa. This research examines the element of narrative changes that covers the story, plot, characters, and characterizations in the movie entitled Life of Pi using ecranisation approach.Ecranisation theory is an adapting novel to film that causes three changes; shrinking, adding, and varied changes. This research adopts qualitative research method. The data was collected by observation and literature study.The results showed that there were a lot of changes in this film include shrinking, that is the reduction and elimination of some plots,as well as the removal of the several characters.Also,there were some additions and some changes.The function of the varied changes in this film is to create the process of causality consistently and also as a teaser. Keywords : Novel,film,ecranisation,and Life of Pi
ISSN:2086-308X
2338-428X