To see or not to see? That is one of the questions

With his behaviour, Object – the main character in Samuel Beckett’s Film (1965) – aims to escape from everybody else’s gaze, and even from his own, according to George Berkeley’s core idea “to be is to be perceived”. This guiding thread will show us how perceptive subtraction implies as much of an e...

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Main Author: Tania Castellano San Jacinto
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2016-08-01
Series:Re-visiones
Subjects:
Online Access:http://www.re-visiones.net/index.php/RE-VISIONES/article/view/71
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author Tania Castellano San Jacinto
author_facet Tania Castellano San Jacinto
author_sort Tania Castellano San Jacinto
collection DOAJ
description With his behaviour, Object – the main character in Samuel Beckett’s Film (1965) – aims to escape from everybody else’s gaze, and even from his own, according to George Berkeley’s core idea “to be is to be perceived”. This guiding thread will show us how perceptive subtraction implies as much of an escape as an alternative: by subtracting visual material, the subject endeavours to stay on the sidelines and to distance himself from what he perceives. With this, he tries to reach a degree zero where he will no longer be able to see and/or be seen, and from which he will be able to see and/or be anew. This radical rupture with what is given to perceive is repeated in art trends such as the Structural Film. Its vertiginous flicker of monochromes aims to refresh an exhausted gaze absorbed by the media. This is the way the Benaminian destructive character, known by the need for fresh air and open space”, operates as much in film structuralists as in Object. It is a way to take a breath and start anew.
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spelling doaj.art-ba2c0a62d8d04167b03d589e4adb4b8d2022-12-22T00:28:11ZengUniversidad Complutense de MadridRe-visiones2173-00402016-08-010354To see or not to see? That is one of the questionsTania Castellano San Jacinto0Universidad de ZaragozaWith his behaviour, Object – the main character in Samuel Beckett’s Film (1965) – aims to escape from everybody else’s gaze, and even from his own, according to George Berkeley’s core idea “to be is to be perceived”. This guiding thread will show us how perceptive subtraction implies as much of an escape as an alternative: by subtracting visual material, the subject endeavours to stay on the sidelines and to distance himself from what he perceives. With this, he tries to reach a degree zero where he will no longer be able to see and/or be seen, and from which he will be able to see and/or be anew. This radical rupture with what is given to perceive is repeated in art trends such as the Structural Film. Its vertiginous flicker of monochromes aims to refresh an exhausted gaze absorbed by the media. This is the way the Benaminian destructive character, known by the need for fresh air and open space”, operates as much in film structuralists as in Object. It is a way to take a breath and start anew.http://www.re-visiones.net/index.php/RE-VISIONES/article/view/71filmperceptionclosing of the eyesflickeragency.
spellingShingle Tania Castellano San Jacinto
To see or not to see? That is one of the questions
Re-visiones
film
perception
closing of the eyes
flicker
agency.
title To see or not to see? That is one of the questions
title_full To see or not to see? That is one of the questions
title_fullStr To see or not to see? That is one of the questions
title_full_unstemmed To see or not to see? That is one of the questions
title_short To see or not to see? That is one of the questions
title_sort to see or not to see that is one of the questions
topic film
perception
closing of the eyes
flicker
agency.
url http://www.re-visiones.net/index.php/RE-VISIONES/article/view/71
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