Ordinary Language Film Studies

This essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or...

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Main Author: Andrew Klevan
Format: Article
Language:English
Published: Nederlands Genootschap voor Esthetica (Dutch Association of Aesthetics) 2020-07-01
Series:Aesthetic Investigations
Subjects:
Online Access:https://www.aestheticinvestigations.eu/index.php/journal/article/view/226
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author Andrew Klevan
author_facet Andrew Klevan
author_sort Andrew Klevan
collection DOAJ
description This essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or thematic, and is therefore potentially unrestrained because it is not a priori or determining; that (2) is context sensitive, proceeding on a case-by-case basis, while also capable of synoptic overview (through connective analysis); that (3) encourages conceptual clarification and responsive articulation in order to present a perspicacious picture of individual films and our experience of them; and that (4) can act therapeutically by uncoupling us from unhelpful linguistic attachments that may restrict, helping us to see anew.
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spelling doaj.art-ba4502104e734b0a977e564d700994652022-12-21T23:08:08ZengNederlands Genootschap voor Esthetica (Dutch Association of Aesthetics)Aesthetic Investigations2352-27042020-07-013210.5281/zenodo.4415721Ordinary Language Film StudiesAndrew Klevan0University of OxfordThis essay explains Ordinary Language Philosophy (OLP), because it is relatively unfamiliar to those working in the field of Film-Philosophy, and proposes it as beneficial to film study. OLP provides us with a method of philosophising in relation to films that (1) is not theoretical, paradigmatic or thematic, and is therefore potentially unrestrained because it is not a priori or determining; that (2) is context sensitive, proceeding on a case-by-case basis, while also capable of synoptic overview (through connective analysis); that (3) encourages conceptual clarification and responsive articulation in order to present a perspicacious picture of individual films and our experience of them; and that (4) can act therapeutically by uncoupling us from unhelpful linguistic attachments that may restrict, helping us to see anew.https://www.aestheticinvestigations.eu/index.php/journal/article/view/226ordinary language philosophyfilm studiesaesthetic criticismFilm-Philosophy
spellingShingle Andrew Klevan
Ordinary Language Film Studies
Aesthetic Investigations
ordinary language philosophy
film studies
aesthetic criticism
Film-Philosophy
title Ordinary Language Film Studies
title_full Ordinary Language Film Studies
title_fullStr Ordinary Language Film Studies
title_full_unstemmed Ordinary Language Film Studies
title_short Ordinary Language Film Studies
title_sort ordinary language film studies
topic ordinary language philosophy
film studies
aesthetic criticism
Film-Philosophy
url https://www.aestheticinvestigations.eu/index.php/journal/article/view/226
work_keys_str_mv AT andrewklevan ordinarylanguagefilmstudies