Path(o)s of Mourning. Memory, Death and the Invisible Body in Derek Jarman’s Blue

The essay addresses two quite complex issues. The first one is the virulence of the hostility toward  gay men that the AIDS pandemic has released: this is the backdrop against which Jarman's extended elaboration and mourning for his own death  is performed, after his diagnosis as body-positive...

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Main Author: Nicoletta Vallorani
Format: Article
Language:English
Published: Milano University Press 2010-10-01
Series:Altre Modernità
Subjects:
Online Access:https://riviste.unimi.it/index.php/AMonline/article/view/691
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author Nicoletta Vallorani
author_facet Nicoletta Vallorani
author_sort Nicoletta Vallorani
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description The essay addresses two quite complex issues. The first one is the virulence of the hostility toward  gay men that the AIDS pandemic has released: this is the backdrop against which Jarman's extended elaboration and mourning for his own death  is performed, after his diagnosis as body-positive in 1986. The second issue  links to the open question of public mourning and its relation to AIDS in the early 90s, when the AIDS epidemic is not at its height, but it is certainly more visible than before, and many artists register the impact of the new sensibility this medical and social emergency actually moulds.  Considering a specific time span (the 90s) and  focusing mostly on cinema a strategic, privileged arena where gay cultures resist to social and cultural sanctions, this work elaborates on how AIDS as a deathly social and cultural destiny has suggested strategies of mournings that introduce new artistic practices. The analysis is specifically focused on Derek Jarman's last works, culminating in the film Blue (1993).
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spelling doaj.art-ba4b88f35a504e9ab9ad659efba045752023-08-02T09:18:10ZengMilano University PressAltre Modernità2035-76802010-10-0104829210.13130/2035-7680/691630Path(o)s of Mourning. Memory, Death and the Invisible Body in Derek Jarman’s BlueNicoletta Vallorani0Università degli Studi di MilanoThe essay addresses two quite complex issues. The first one is the virulence of the hostility toward  gay men that the AIDS pandemic has released: this is the backdrop against which Jarman's extended elaboration and mourning for his own death  is performed, after his diagnosis as body-positive in 1986. The second issue  links to the open question of public mourning and its relation to AIDS in the early 90s, when the AIDS epidemic is not at its height, but it is certainly more visible than before, and many artists register the impact of the new sensibility this medical and social emergency actually moulds.  Considering a specific time span (the 90s) and  focusing mostly on cinema a strategic, privileged arena where gay cultures resist to social and cultural sanctions, this work elaborates on how AIDS as a deathly social and cultural destiny has suggested strategies of mournings that introduce new artistic practices. The analysis is specifically focused on Derek Jarman's last works, culminating in the film Blue (1993).https://riviste.unimi.it/index.php/AMonline/article/view/691Derek Jarman, AIDS, Blue, path, pathos, Stonewall, GRID, political resistance
spellingShingle Nicoletta Vallorani
Path(o)s of Mourning. Memory, Death and the Invisible Body in Derek Jarman’s Blue
Altre Modernità
Derek Jarman, AIDS, Blue, path, pathos, Stonewall, GRID, political resistance
title Path(o)s of Mourning. Memory, Death and the Invisible Body in Derek Jarman’s Blue
title_full Path(o)s of Mourning. Memory, Death and the Invisible Body in Derek Jarman’s Blue
title_fullStr Path(o)s of Mourning. Memory, Death and the Invisible Body in Derek Jarman’s Blue
title_full_unstemmed Path(o)s of Mourning. Memory, Death and the Invisible Body in Derek Jarman’s Blue
title_short Path(o)s of Mourning. Memory, Death and the Invisible Body in Derek Jarman’s Blue
title_sort path o s of mourning memory death and the invisible body in derek jarman s blue
topic Derek Jarman, AIDS, Blue, path, pathos, Stonewall, GRID, political resistance
url https://riviste.unimi.it/index.php/AMonline/article/view/691
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